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Hail To The Thief
by Radiohead

Radiohead reviews
Critic Score
Metascore: 85 Metascore out of 100
User Score  
8.8 out of 10
based on 26 reviews
Read critic reviews
How did we calculate this?
based on 225 votes
Read user comments
Rate this album

Not quite the return to the "rock" side of Radiohead as originally believed (although pretty close), the band's sixth album (produced again by Nigel Godrich) retains some of the experimental electronica elements of its predecessors Kid A and Amnesiac. Note that each of the tracks on the album has an alternate title, as does the album itself (aka 'The Gloaming').

LABEL: Capitol
RELEASE DATE: 10 June 2003
DISCS: 1 disc
GENRE(S): Alternative, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Alternative Press
There's something for everyone here. [Jul 2003, p.120]
100
Spin
It feels more like a band playingto a multitude of strengths than the formal wrestling of Kid A. [Jul 2003, p.103]
93
Filter
From a technical standpoint, it's astounding.... But from a purely aesthetic standpoint, it's just downright unmusical. [#5, p.86]
93
Pitchfork
For its moments of gravity and excellence, Hail to the Thief is an arrow pointing toward the clearly darker, more frenetic territory the band have up to now only poked at curiously.
Read Full Review
91
E! Online
If you haven't already pledged your allegiance to Radiohead, this isn't gonna turn you.
Read Full Review
90
Urb
The band seems more comfortable in the studio than ever. [Aug 2003, p.88]
90
The Onion (A.V. Club)
Radiohead effectively split the difference between its best-known incarnations on Hail To The Thief, which brings the group's Consecutive Great Albums total to a remarkable five.
Read Full Review
90
Uncut
For all its muddied textures and sideways lurches, it is a magnificently engaging and expansive work. [Jul 2003, p.112]
90
ShakingThrough.net
Hail lacks the overriding musical, thematic or experimental coherence of the band's post-Pablo Honey work. But it is a strong collection of discrete tracks, like an unreleased B-sides collection finally seeing the light of day.
Read Full Review
90
Dot Music
It's startling that a commercial rock band could sound this blood-and-oxygen vital, this meaningful and mighty six albums into their career.
Read Full Review
90
New York Magazine
Hail to the Thief is overloaded with miraculous sounds.
Read Full Review
90
PopMatters
An incredible album from a band that continues to redefine its boundaries.
Read Full Review
80
Delusions of Adequacy
This is truly an album that will stay with you once you’ve let it work its way in.
Read Full Review
80
Flak Magazine
Of course it's political, and of course it continues to merge electronic experimentation with more familiar rock structures; but it employs all those debate-igniting props simply to further the band's more pressing agenda: to tirelessly explore beauty's terrible fragility.
Read Full Review
80
Amazon.com
Like all of the band’s best work, Thief requires more than a few listens to fully appreciate, but those who stick around will be richly rewarded.
Read Full Review
80
Rolling Stone
Despite the anger and bitterness, Hail to the Thief is more musically inviting than Radiohead's last two outings.
Read Full Review
80
All Music Guide
Despite the fact that it seems more like a bunch of songs on a disc than a singular body, its impact is substantial.
Read Full Review
80
Drawer B
The biggest problem with Hail to The Thief is its lack of surprise.
Read Full Review
80
Mojo
Coheres as well as anything else in their canon. [Jun 2003, p.90]
79
Stylus Magazine
While it’s unrealistic to expect another Kid A-like transformation, by pulling all those familiar elements together, Hail to the Thief sounds, well, a little familiar. [Note: Score listed is an average of two separate reviews: a 68 and a 90.]
Read Full Review
70
New Musical Express
That's not to say there's not some exceptional music on this record, it's just once again the impact of the best moments is dulled by the inclusion of some indifferent electronic compositions.
Read Full Review
70
Q Magazine
As admirable as Radiohead's quest ongoing quest to ignore expectations, tear up the manual and proudly rebel against the limitations of 4/4 time seems, some of Hail To The Thief comes dangerously close to being all experimentalism and precious little substance. [Jul 2003, p.98]
60
The Guardian
Hail to the Thief's big drawback has less to do with its similarity to its predecessor than the sense that Radiohead's famed gloominess is becoming self-parodic.
Read Full Review
60
Blender
The album seems resigned, defeated, passive -- like an hour-long sigh. [#17, p.130]
60
Neumu.net
Sprawling, overwrought, unkempt rock music.
Read Full Review
50
Austin Chronicle
The new songs have attitude, but they sound like outtakes from 2000's classic Kid A and 2001's lesser Amnesiac.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.8 (out of 10) based on 225 User Votes
Note: User votes are NOT included in the Metascore calculation.

Aidan K. gave it a5:
I feel this is the weekest radiohead record. Its frustrating that the first two tracks are the best ones and it has too many songs.

Kaleb S. gave it a10:
Hail to the Thief is undeniably the hardest rocking Radiohead album since The Bends and the most lyrically mature and poetic Radiohead album since OK Computer. It 's the culmination, the pay-off for all the experimentation the band did on Kid A and Amnesiac. So basically what you get is the album that rocks hard while still experimenting and trying new things, yet never sounding like it's wandering about aimlessly. Thom Yorke's songwriting has never been better and I don't think I'll be exaggerating if I say that the album matches the genius of OK Computer both musically and conceptually. HIGHLY recommended for the fans of the band, for music fans who are just starting to look into Radiohead, and for those who fell off the bandwagon with the release of Kid A and Amnesiac. 10/10

Robbie C gave it a9:
How do they KEEP doing it this well? It's a mystery.

Ricky S gave it an8:
Ok first off to negate Eric C, My Morning Jacket, Blonde Redhead, and Battles DO NOT sound like Radiohead. I just saw BR in concert and there are almost no similarities. Battles is just completely different. MMJ could be considered similar in ways, but really aren't. They are FAR more straightforward and country-esque. That being said, Hail to the Thief is a great album, but is nowhere near as good as The Bends, OK Computer, Kid A, or the just released In Rainbows (thank goodness). Hail has elements of all of the albums but not necessarily their strengths. Still worth many spins if you're a Radiohead fan, but if you're new to the game, DO NOT start with this album. You will regret it.

Chris R gave it a10:
100 Alternative Press There's something for everyone here. [Jul 2003, p.120] What the fuck planet are you from? 93 Pitchfork For its moments of gravity and excellence, Hail to the Thief is an arrow pointing toward the clearly darker, more frenetic territory the band have up to now only poked at curiously. Only poked at curiously? Did I get the same albums or just the sad versions of Kid A and OK Computer. "Calm, Fitter, Happier, and more productive. A pig in a cage, on antibiotics." You don't get anymore depressed than Hail to the Thief though. See Radiohead pull out of this depressing nose dive on their next album.

Frankie R gave it a10:
Super dank. Anyone who gives any radiohead past OK Computer anything less than a full 10 needs to be dragged into the backyard, executed, and have their body defiled by infected, old sex offenders. Then I will personally empty an Uzi clip into their rotten carcasses.

Eric C. gave it a9:
Really is a fantastic album. Radiohead always deserves the hype they get. Unfortunately, this release doesn't have the lasting effect that Ok Computer had. Well, probably nothing will. Very talented song writing, an almost perfect mix of instruments and computer sounds. Just not an album I'll play frequently, as good as it is. And Max M, here's a few Radiohead-ish bands that are worth looking in to. My Morning Jacket, Blonde Redhead, and if you're adventurous, Battles. They're on this site.

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