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Stars indicate the most critically-acclaimed albums.
Kid A
Generally favorable reviews
Based on 24 critic reviews
How did we calculate this?
Based on 225 votes
Read user comments
Rate this album >
Album Info
Label: Capitol
Release Date: 03 October 2000
Discs: 1 disc
Genre(s): Rock, Alternative, Electronic
Summary
Seemingly unwilling to stick to a successful formula, Radiohead follow their breakthrough album 'OK Computer' with this much more experimental work (recorded during sessions that also spawned the later-released 'Amnesiac' album), which ventures even further away from conventional song structure and embraces electronica more fully (even sounding at times like Aphex Twin).
Also By This Artist: Amnesiac Hail To The Thief I Might Be Wrong: Live Recordings In Rainbows
Also On Metacritic
MUSIC: Thom Yorke: The Eraser
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Pitchfork
Comparing this to other albums is like comparing an aquarium to blue construction paper.... It's the sound of a band, and its leader, losing faith in themselves, destroying themselves, and subsequently rebuilding a perfect entity. In other words, Radiohead hated being Radiohead, but ended up with the most ideal, natural Radiohead record yet.
Read Full Review >The Wire
The sonic scribbles of Kid A are far more stimulating than their regular grind.... Along with Primal Scream's Exterminator, Kid A is a vital work. Anyone remotely interested in contemporary music should listen to it at least once. [#201, p.59]
Billboard
"Kid A" immerses listeners in an ocean of unparalleled musical depth. It is, without question, the first truly groundbreaking album of the 21st century.
Read Full Review >Spin
Radiohead have completely immersed themselves in the studio-as-instrument--signal processing, radical stereo separation, and other antinaturalistic techniques. Even the precious Guitars--saturated with effects and gaseous with sustain--resemble natural phenomena rather than power chords or lead lines. Essentially, this is a post-rock record.... Kid A is not only Radiohead's bravest album but its best one as well. [Oct 2000, p.172]
New York Magazine
Not content to embrace familiar dance-music genres like trance (the way Madonna does when she's feeling experimental), the band delves into the most outré electronic music imaginable, from the amniotic soundscapes of Brian Eno to the industrial gristle of Coil. The result is Radiohead's best album...
Read Full Review >L.A. Weekly
Kid A may feel cold and ahuman at first, but stick with it for the full 50 minutes: Listen long enough, and a fragile, flickering glow becomes apparent amid the chill. It?s the sound of human warmth flooding into a formerly alien space -- of Radiohead finally going exactly where they wanted.
Read Full Review >The Onion (A.V. Club)
Largely abandoning any elements of rock music, the disc ebbs and flows like Aphex Twin, the hypnotic loops of distorted beats and hissing, humming synths bravely replacing the usual recipe of drums and guitar.... For all its flaws and intentionally alienating tactics, Kid A defies expectations and sets the bar ever higher for the would-be copycats, who could learn a thing or two about taking risks.
Read Full Review >Nude As The News
As musically far away as it is from OK Computer, the record is actually a logical progression.
Read Full Review >Entertainment Weekly
On first listen, ''Kid A'' sounds like doggerel -- effects with beats, and off putting effects at that. Only after a dozen or so attentive listens does the album reveal itself as sublimely restless mood music. And even then, it remains elusive and aloof: Some songs are beautifully ambient, others are filler, and some are one and the same.
Read Full Review >Wall of Sound
An ardent and successful attempt by the British quintet to divorce and distance itself from its past and to reinvent both itself and our notions of pop music, using soundscapes rather than songs, and instrumental choices that are a far cry from the group's previous forays into its own brand of guitar rock.... odd, perplexing, and utterly fascinating...
Read Full Review >All Music Guide
Kid A is easily the most successful electronica album from a rock band -- so much so that it doesn't sound like the work of a rock band, even if it does sound like Radiohead.... Despite its admirable ambition -- ambition that is all the more impressive in 2000, the year when most bands simply stopped trying -- Kid A never is as visionary or stunning as OK Computer, nor does it really repay the intensive time it demands in order for it to sink in.
Read Full Review >Ink Blot Magazine
For an album that apparently grew out of the band trying to get away from melody, there's a lot of it here. They can't help themselves. They try to do a song with a robotic dance beat, load it up with bleak phrases like "laughing till my head comes off" and "take the money and run" and "this is really happening," call it "Idioteque" for chrissake, and what stands out are not the beat and not the phrases or the apparent concept of dance music being silly when horrible things are happening in the world, but the seven or eight different heartwrenching vocal lines and the amazing way they intertwine.
Read Full Review >Rolling Stone
It is a kind of virtual rock in which the roots have been cut away, and the formal language -- hook, riff, bridge -- has been warped, liquefied and, in some songs, thrown out altogether. If you're looking for instant joy and easy definition, you are swimming in the wrong soup.... Kid A is a work of deliberately inky, often irritating obsession.
Read Full Review >Village Voice
It's... really different. And oblique oblique oblique: short, unsettled, deliberately shorn of easy hooks and clear lyrics and comfortable arrangements. Also incredibly beautiful.
Read Full Review >Dot Music
A cryptic but brilliant record, radically stripped of Radiohead's supposed musical strengths and charged throughout with a feverish desire to subvert and, perhaps, alienate.
Read Full Review >CDNow
With Kid A, Radiohead has made the ultimate 3 a.m. stoner-headphone album, one that marks an entirely logical progression from -- if not necessarily an improvement upon -- the techno-but-not-really O.K. Computer.... Occasionally, it feels less like a rock record and more like a museum piece, and as a work of art, it's laudable. As an actual, listener-friendly offering, it leaves something to be desired: It's precisely the sort of record a band makes when it has endless amounts of time and money, and has spent long periods of time being told what geniuses its members are.
Read Full Review >MTV.com
Yes, as with OK Computer, stark minimalism marks this effort, and the carefully plotted layers of instruments and machine-generated blips only add to the feeling of emotional emptiness. Seemingly stripped bare of all adornment, however, the new album beats with a loud, persistent, sometimes unsteady heartbeat.
Read Full Review >HOB.com
Yes, they tried something different, but they kept it accessible. Just as with the last album's guitar-rock-on-tranquilizers, if Kid A's mood music changes the world it will be precisely because it is mainstream, not because it is revolutionary.
Read Full Review >New Musical Express
For all its feats of brinkmanship, the patently magnificent construct called 'Kid A' betrays a band playing one-handed just to prove they can, scared to commit itself emotionally.
Read Full Review >Q Magazine
In the time since OK Computer, Radiohead seem to have built up reservoirs of fresh bile and listened to a lot of Aphex Twin records.... Musically, the album's best features are its keening, lapwing guitars and a thin, atonal orchestral drizzle.... Kid A will still baffle and upset those who are disappointed that they don't do Creep anymore. [Nov. 2000, p.96]
Select
Like its most obvious forebear, David Bowie's 'Low,' what's not present is as important as what's actually here. The main absentees, then, are choruses, coherent lyrics, crescendos, and guitars.... But, really, what do you want for sounding like Aphex Twin circa 1993? A medal? [Nov. 2000, p.108]
Mojo
Kid A is intriguing, eccentric, obviously a grower, but by Radiohead's standards it can't help but disappoint.
Read Full Review >Sonicnet
Kid A represents the first time in Radiohead's short history where their desire to do something different has outrun their ability to give their experiments a personal imprint. The problem with the album isn't that it's introspective, or obscure, or even that it's derivative (alternately conjuring Eno, Aphex Twin, Pink Floyd and so forth), but rather that the striking group personality so well defined on the last two collections has seemed to evaporate.
Read Full Review >Resonance
A record that might've been amazing if the band had only bothered to write some actual songs. [#28, p. 62]
What Our Users Said
The average user rating for this album is 9.1 (out of 10) based on 225 User Votes
Note: User votes are NOT included in the Metascore calculation.
fco f gave it a10:
After universal acclaimed "OK Computer" Radiohead turned out with a genius follow up... Of course they changed the formula, for better. Kid A is a representation of a worl-wide arena filler band, that turns out with their most groundbreaking still natural album to date.
Moritz H gave it a10:
Morning Bell, Everything In It´s Right Place, Idioteque three of the best radiohead tracks ever.
Chaise W gave it a10:
Yes, Thom Yorke may be pretentious; yes, this album may be a tremendous departure from the anthem rock of OK Computer and The Bends; yes, it may be difficult to swallow the first few listens, but no, this album is not shit. Kid A redefined modern music, it created a genre of it's own by combining other genres from past decades. This album is essential, it is pivotal to all musicians who even think of creating a masterpiece of their own. Kid A destroyed the CD, but conceived the Mp3.
Steve O gave it a10:
Quite simply one of the greatest albums ever recorded. Not to everyone's tastes, but certainly to mine.
Leah T gave it a10:
Radiohead's third straight masterpiece after The Bends and OKC. Simply stunning - a grower for some. But can anyone here claim to have ever heard a song more beautiful than "how to Disappear Completely"? I challenge it. Radiohead takes risks and consistently redefines genres. No one's ever written anythinglike The National Anthem. Yorke is a genius.
Tanner C. gave it a10:
The greatest album ever made.
Jordan S gave it a10:
Words fail me. A pioneering, post-genre masterpiece. Easily the best album of the 21st century. Period.
