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Stars indicate the most critically-acclaimed albums.

Kid A
by Radiohead


9.0

based on 24 reviews
Read critic reviews
How did we calculate this?

based on 196 votes
Read user comments
Rate this album

MUSIC:

Thom Yorke: The Eraser

Seemingly unwilling to stick to a successful formula, Radiohead follow their breakthrough album 'OK Computer' with this much more experimental work (recorded during sessions that also spawned the later-released 'Amnesiac' album), which ventures even further away from conventional song structure and embraces electronica more fully (even sounding at times like Aphex Twin).

LABEL:	Capitol
RELEASE DATE:	03 October 2000
DISCS:	1 disc
GENRE(S):	Rock, Alternative, Electronic

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Pitchfork

Comparing this to other albums is like comparing an aquarium to blue construction paper.... It's the sound of a band, and its leader, losing faith in themselves, destroying themselves, and subsequently rebuilding a perfect entity. In other words, Radiohead hated being Radiohead, but ended up with the most ideal, natural Radiohead record yet.

100

The Wire

The sonic scribbles of Kid A are far more stimulating than their regular grind.... Along with Primal Scream's Exterminator, Kid A is a vital work. Anyone remotely interested in contemporary music should listen to it at least once. [#201, p.59]

Billboard

"Kid A" immerses listeners in an ocean of unparalleled musical depth. It is, without question, the first truly groundbreaking album of the 21st century.

Spin

Radiohead have completely immersed themselves in the studio-as-instrument--signal processing, radical stereo separation, and other antinaturalistic techniques. Even the precious Guitars--saturated with effects and gaseous with sustain--resemble natural phenomena rather than power chords or lead lines. Essentially, this is a post-rock record.... Kid A is not only Radiohead's bravest album but its best one as well. [Oct 2000, p.172]

New York Magazine

Not content to embrace familiar dance-music genres like trance (the way Madonna does when she's feeling experimental), the band delves into the most outré electronic music imaginable, from the amniotic soundscapes of Brian Eno to the industrial gristle of Coil. The result is Radiohead's best album...

L.A. Weekly

Kid A may feel cold and ahuman at first, but stick with it for the full 50 minutes: Listen long enough, and a fragile, flickering glow becomes apparent amid the chill. It?s the sound of human warmth flooding into a formerly alien space -- of Radiohead finally going exactly where they wanted.

The Onion (A.V. Club)

Largely abandoning any elements of rock music, the disc ebbs and flows like Aphex Twin, the hypnotic loops of distorted beats and hissing, humming synths bravely replacing the usual recipe of drums and guitar.... For all its flaws and intentionally alienating tactics, Kid A defies expectations and sets the bar ever higher for the would-be copycats, who could learn a thing or two about taking risks.

Nude As The News

As musically far away as it is from OK Computer, the record is actually a logical progression.

Entertainment Weekly

On first listen, ''Kid A'' sounds like doggerel -- effects with beats, and off putting effects at that. Only after a dozen or so attentive listens does the album reveal itself as sublimely restless mood music. And even then, it remains elusive and aloof: Some songs are beautifully ambient, others are filler, and some are one and the same.

Wall of Sound

An ardent and successful attempt by the British quintet to divorce and distance itself from its past and to reinvent both itself and our notions of pop music, using soundscapes rather than songs, and instrumental choices that are a far cry from the group's previous forays into its own brand of guitar rock.... odd, perplexing, and utterly fascinating...

All Music Guide

Kid A is easily the most successful electronica album from a rock band -- so much so that it doesn't sound like the work of a rock band, even if it does sound like Radiohead.... Despite its admirable ambition -- ambition that is all the more impressive in 2000, the year when most bands simply stopped trying -- Kid A never is as visionary or stunning as OK Computer, nor does it really repay the intensive time it demands in order for it to sink in.

Ink Blot Magazine

For an album that apparently grew out of the band trying to get away from melody, there's a lot of it here. They can't help themselves. They try to do a song with a robotic dance beat, load it up with bleak phrases like "laughing till my head comes off" and "take the money and run" and "this is really happening," call it "Idioteque" for chrissake, and what stands out are not the beat and not the phrases or the apparent concept of dance music being silly when horrible things are happening in the world, but the seven or eight different heartwrenching vocal lines and the amazing way they intertwine.

Rolling Stone

It is a kind of virtual rock in which the roots have been cut away, and the formal language -- hook, riff, bridge -- has been warped, liquefied and, in some songs, thrown out altogether. If you're looking for instant joy and easy definition, you are swimming in the wrong soup.... Kid A is a work of deliberately inky, often irritating obsession.

Village Voice

It's... really different. And oblique oblique oblique: short, unsettled, deliberately shorn of easy hooks and clear lyrics and comfortable arrangements. Also incredibly beautiful.

Dot Music

A cryptic but brilliant record, radically stripped of Radiohead's supposed musical strengths and charged throughout with a feverish desire to subvert and, perhaps, alienate.

CDNow

With Kid A, Radiohead has made the ultimate 3 a.m. stoner-headphone album, one that marks an entirely logical progression from -- if not necessarily an improvement upon -- the techno-but-not-really O.K. Computer.... Occasionally, it feels less like a rock record and more like a museum piece, and as a work of art, it's laudable. As an actual, listener-friendly offering, it leaves something to be desired: It's precisely the sort of record a band makes when it has endless amounts of time and money, and has spent long periods of time being told what geniuses its members are.

MTV.com

Yes, as with OK Computer, stark minimalism marks this effort, and the carefully plotted layers of instruments and machine-generated blips only add to the feeling of emotional emptiness. Seemingly stripped bare of all adornment, however, the new album beats with a loud, persistent, sometimes unsteady heartbeat.

HOB.com

Yes, they tried something different, but they kept it accessible. Just as with the last album's guitar-rock-on-tranquilizers, if Kid A's mood music changes the world it will be precisely because it is mainstream, not because it is revolutionary.

New Musical Express

For all its feats of brinkmanship, the patently magnificent construct called 'Kid A' betrays a band playing one-handed just to prove they can, scared to commit itself emotionally.

Q Magazine

In the time since OK Computer, Radiohead seem to have built up reservoirs of fresh bile and listened to a lot of Aphex Twin records.... Musically, the album's best features are its keening, lapwing guitars and a thin, atonal orchestral drizzle.... Kid A will still baffle and upset those who are disappointed that they don't do Creep anymore. [Nov. 2000, p.96]

Select

Like its most obvious forebear, David Bowie's 'Low,' what's not present is as important as what's actually here. The main absentees, then, are choruses, coherent lyrics, crescendos, and guitars.... But, really, what do you want for sounding like Aphex Twin circa 1993? A medal? [Nov. 2000, p.108]

Mojo

Kid A is intriguing, eccentric, obviously a grower, but by Radiohead's standards it can't help but disappoint.

Sonicnet

Kid A represents the first time in Radiohead's short history where their desire to do something different has outrun their ability to give their experiments a personal imprint. The problem with the album isn't that it's introspective, or obscure, or even that it's derivative (alternately conjuring Eno, Aphex Twin, Pink Floyd and so forth), but rather that the striking group personality so well defined on the last two collections has seemed to evaporate.

Resonance

A record that might've been amazing if the band had only bothered to write some actual songs. [#28, p. 62]

The average user rating for this album is 9.0 (out of 10) based on 196 User Votes
Note: User votes are NOT included in the Metascore calculation.

Noah H. gave it a10:
This album . . . wow. Like so many great albums, it took me a while to get it. I remember visiting my dad in Iowa and taking all day to download leaked tracks on dial-up. WTF was my first response. 6 hours later I have treefingers and hunting bears and I'm really, really scared. I get the album the day it comes out regardless and give it time, because I'm patient and respect the bands previous work. I went through the same process with OK Computer. Boy did patience and faith in the band payoff. Best album they've ever done (consequently one of the best albums ever). And man, the context of when it came out, how it related to the music landscape as a whole and specifically the way it fit into my life at the time is just inimitable. Oh, and I wonder what people who don't like the band are so afraid of? Such seething hate and disdain can only be propelled by immense fear. Of what I'm not sure.

H C gave it a10:
It's just so intense.

Chad M. gave it a10:
I find it annoyingly funny (if that makes any sense) that anyone who dislikes Radiohead, and "Kid A" in particular, gives a reason that always sounds like this: "I hate Radiohead, their fans, and Kid A because they are sooo PRETENTIOUS." Really? Pretentious? If you think Radiohead is Pretentious, then you clearly do not understand the meaning of the word (See the review a couple of slots below); Radiohead is the total opposite of the word pretentious. Not only does Radiohead shy away from the spotlight, but they hate it. And they deserve every accolade they get. Somebody describes "Kid A" by saying: "Comparing this to other albums is like comparing an aquarium to blue construction paper", which I think is a perfect way to put it. "Kid A" is truly in a galaxy of it's own; it's another world with no limitations, rules, or boundaries. The moment you start the record with "Everything In It's Right Place", those first synth notes roll over you like a mammoth wave of clouds and you are completely submerged into a new world. "Everything" then flows perfectly into the dreamlike title track. "The National Anthem" follows and bludgeons you upside the head like a sledgehammer with it's heavy bass line, horns, and saxophone fusing into some weird hybrid world. The calm "How to Disappear Completely" becomes one with the ambient "TreeFingers", which by itself it a preposterous track, but in the context of the album as a whole, it fits and makes perfect sense; and it's the calm before the climactic storm of "Optimistic". "In Limbo" feels like a nightmarish purgatory, with the final minute of the song sending you spiraling down the rabbit hole. Next is the apocalyptic "Idioteque", which uses electronica, drum machines, and eerie chords to create one of the more impressive Radiohead songs to date. "Idioteque" morphs perfectly into the gloomy "Morning Bell". But the very last track is where "Kid A" seals the deal; "Motion Picture Soundtrack" is staggeringly gorgeous, with Tom Yorke ending it with the words "I think you're crazy" and "I'll see you in the next life". Well...."Kid A", in one word, is a: Masterpiece.

Ben F gave it a10:
To the anonymous poster whose post is a few posts below mine.....please try to be intelligent about your argument. What a stupid point you're making. You think Thom York is a pretentious pussy but you don't even know him. Are you easily influenced by the media or are you just guessing about how he really is? They do nothing original in Kid A? Haha...you can't be serious. Now I know this post must be a joke. You stereotype and say radiohead fans are pretentious. Please...try to at least act intelligent.

Rick B gave it a10:
The album of our generation.

Bob R gave it a10:
An album that will help you get into other great artists. Highly recommended

Stjepan P. gave it a10:
I registered only to say that "Kid A" is not only best album ever but the best parallel universe dimension. I listened to it stoned and I traveled everywhere. Thanks Radiohead! And all these shitty critic are only closed minded people. This record changed my life. And did anyone catch how great is on repeat? Because "main character" dies in last song, but when you put record in "repeat" mode it doesn't he wakes up semi drunk from pills and red wine in last song sucking a lemon. Greatest album ever, and what to say about landscapes. OMG. I saw Rainbows, my head was on stick I was in bunker with lots of children and womans. Thank you Radiohead again. Sorry about bad English. Kiss to all fans from Croatia.

Kid A by Radiohead

Kid A
by Radiohead