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Since We Last Spoke

Generally favorable reviews
Based on 21 critic reviews
How did we calculate this?
Based on 11 votes
Read user comments
Rate this album >
Album Info
Label: Definitive Jux
Release Date: 18 May 2004
Discs: 1 disc
Genre(s): Hip-Hop, Indie
Summary
The underground hip-hop producer (also a member of Soul Position) returns with a follow-up to his acclaimed 2002 Def Jux Debut, 'Dead Ringer.'
Also By This Artist: The Third Hand
Also On Metacritic
MUSIC: Aceyalone: Magnificent City Soul Position: 8 Million Stories
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The Onion (A.V. Club)
Since We Last Spoke finds RJD2 sounding like some blessed creature who's able to tune in every radio station in the world, past and present, and mix them together into a cohesive whole.
Read Full Review >Entertainment Weekly
RJ... lets his softer side show to touching effect. [18 Jun 2004, p.84]
Spin
A Kleenex-grabbing, chain-smoking, staring-out-the-window, in-bed-for-days breakup record. [Jun 2004, p.106]
PopMatters
Since We Last Spoke continually subverts expectations of what an Rjd2 album is about, yet the songs all stick together in a cohesive way, and the album still somehow bears the distinct personality stamp of the RJ we already knew, even as some of it diverges wildly from the path he's been on so far.
Read Full Review >Q Magazine
Terrifying, but in a good way. The bar is raised. [Jun 2004, p.105]
RapReviews.com
The order of the songs in the end seems carefully chosen, not unlike a play or movie where the emotional resonance from each piece is meant to build you up, bring you down, and build anticipation through each movement towards the climactic ending.
Read Full Review >Alternative Press
RJD2 possesses the rare ability to transform moldy samples into fresh-as-tomorrow compositions. [Jun 2004, p.110]
Tiny Mix Tapes
What makes Since We Last Spoke such an indisputably groundbreaking record is Rjd2's ability to create such an intricate pastiche of diverse musical styles that it seems like a wholly new genre in and of itself.
Read Full Review >Billboard
RJ's solo work transcends hip-hop boundaries, and at its peak moments, is better described as much closer to soul.
Read Full Review >Stylus Magazine
Much in the way Pete Rock or Kanye West reinterpret classic 70s soul for a new generation, Since We Last Spoke is RJD2s trip through the AM dial 30 years ago, the songs of the period experienced anew.
Read Full Review >Village Voice
RJ and his sampler wander the record crates of shared memory, and come up with progressive rock and Northern soul songs that have little to do with anybody's idea of revival.
Read Full Review >Filter
A fluid record packed with full songs. [#10, p.88]
ShakingThrough.net
Since We Last Spoke is more sonic retreat than bold reinvention, an intriguing, if not entirely triumphant, tip of the hat to the sound and spirit of the Year of the Dragon.
Read Full Review >Playlouder
But even on those tracks that don't make the cut as RJ stand-outs almost everywhere you care to look there are stylish touches and subtleties waiting to be discovered with each subsequent listen.
Read Full Review >Dot Music
Favours The Song over ambient abstraction and real-time playing over rejigged samples.
Read Full Review >Uncut
Solid song structure replaces ambient abstraction... ranges across Latino jazz, stadium rock, soul and pastoral glitch. [Jun 2004, p.86]
Blender
A hip-hop Blood On The Tracks. [#27, p.143]
Pitchfork
Unfortunately, few of these tracks wield the same impact as his tried-and-true hip-hop productions, and more often than not, feel like attempts at being everything to everyone.
Read Full Review >All Music Guide
With only a few exceptions though, Since We Last Spoke makes the moody Dead Ringer sound like a piece of flag-waving exuberance; instead of the occasional uptempo track, it's brooding and mellow throughout the record -- very nearly a rap singer/songwriter record.
Read Full Review >Dusted Magazine
With experimentation comes occasional failure, however, and at times Since Last We Spoke can feel a bit forced.
Read Full Review >Urb
With hardly a breakbeat in sight, RJ's sophomore effort plays like an homage to '80s-era easy listening.... An ambitious effort, but a failure all the same. [May 2004, p.86]
What Our Users Said
The average user rating for this album is 8.9 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.
peliciane gave it a7:
This isn't an insult, but this release isn't for rjd2 fans. This a step away, not necessarily down, for Mr. Krohn. Ambitious? Sure. Creative? Uh-huh. But, man, I just felt awkward the most of the time. He is a hip-hop producer. Had this been released by someone else, I would have probably felt more comfortable. His "Intro" track is the only track remotely hip-hop. Just because I'm placing this rjd2 CD in 3rd is no insult. (I haven't heard his "In Rare Form" hard-to-find CD)
marcus h gave it a10:
Better than the first album.
Travis B gave it a9:
Phenomenal. A lot less rap than Deadringer. I still can't decide which album I like more. I think both are excellent in different ways. This album would have received a 10, but I really am not a fan of the last track.
Brandon B gave it a9:
I have to completely agree that this album is amazing. So far, I have been nothing but fascinated by the ability of RJ to blend so many different sounds into something harmonic and meaningful. I'm surprised at how many reviews were dissapointing.
Lawrence P gave it an 8:
Different from the first LP, but maybe better???
Mark T gave it a 9:
The more I listen to this album the more I like it. His new rock'n'roll influence has raised him to a higher level than Deadringer and is another great addition to RJD2's impressive CV. If you like DJ Shadow you'll love RJD2, so plug your headphones into Since We Last Spoke NOW!
Jordan G gave it a 9:
exotic talk is gangster. very good i felt like headbanging. & thats a good thing.
