All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

The Guardian

Each track is astonishing.

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E! Online

The opening song, "First Wave Intact," is nine minutes of churning Led Zeppelin-size rock. And it gets stranger from there.

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Neumu.net

It's big but it's also clever.

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Delusions of Adequacy

The Secret Machines’ Now Here is Nowhere seamlessly fuses nine tracks and crafts a brilliant and sometimes trippy path colored with a tapestry of melodic motives and fragments of reverbed guitar.

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No Ripcord

Largely magnificent.

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Tiny Mix Tapes

Riveting from beginning to end, Now Here Is Nowhere is a delightful record filled with memorable and often astonishing songs, showcasing a young band that has set the foundation for one exciting future.

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Pitchfork

The Secret Machines create songs that are just as spacey and concept-heavy, if not quite as quirky, as those on Yoshimi and The Sophtware Slump.

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Billboard

Beautifully spacey and searingly brash all at once.

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Trouser Press

Garza’s assault on the skins, much tighter than any Bonham comparisons could possibly describe, gives the album much of its strength and character. The rest can be attributed to creative, post-modern lyrics.

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Village Voice

Too bad FM radio still has its head stuck up its pre-1980 ass, 'cause the album is so FM—so non-single-driven AOR—but in such a cool robot-from-the-2004-future-sent-to-save-rock-in-the-past sort of way.

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Uncut

It's like John Bonham playing with Can, or Floyd-meet-Spiritualized with a barely repressed pop consciousness. [Jul 2004, p.95]

Blender

Grand in scope, majestic in sweep and only 57 percent pretentious. [#27, p.143]

PopMatters

They are also the rare psychedelic band who keep to the point -- there are no digressions into noodly space jams to obscure the way.

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The New York Times

There are moments when the Secret Machines imitate their influences a little too closely, and at times the brothers' voices aren't as imposing as the arrangements. But for most of "Now Here Is Nowhere," the Secret Machines make music that matches the scale of their ambitions.

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Q Magazine

A spiralling blend of infectious psychedelic pop that froths and fuzzes for a noisy hour. [Jul 2004, p.122]

All Music Guide

What makes the record good is the level of dedication the bandmembers throw into their work, the lovely walls of sound they build on each track, and most of all the sense of untrammeled joy they infuse their music with.

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Stylus Magazine

Now Here Is Nowhere stands as a very good album, delivering on most of September 000’s promises and proving that music not only existed in the early and mid 70s, but it rocked too.

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New Musical Express

The Machines have grasped that the zero tolerance of punk for the values of Yes did as much harm as good. [26 Jun 2004, p.56]

Dot Music

As challenging and glorious as rock can go when filtered to it's basic elements, but not without a whiff of indulgence.

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The Onion (A.V. Club)

It's sometimes hard to separate intentional mood-setting atmosphere from indistinct songwriting, but the album establishes enough momentum that the general cacophony becomes as epic as it's meant to be.

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Dusted Magazine

In gaining power and speed, Secret Machines seem to have lost a sense of pace. Now Here is Nowhere rocks hard, but compared to the EP it contains half the ideas in twice the running time.

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Splendid

Unwieldy psychedelic dinosaurs like "First Wave Intact" and the title track hint that they're looking to become the new gods of bong-powered thunder -- but then they drop a bomb like the sleek, urbanely scoffing "Road Leads Where It's Led" and instantly re-cast themselves as black-clad top forty gatecrashers looking for a fast ticket to fortune and fame.

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Logo

Unfortunately there are only flashes of Curtis breaking free of the overwhelming dominance of their prog tendencies. When used sparingly they are rich and absorbing, but in these instances they lack impact.

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Rolling Stone

They take Pink Floyd psychedelia, Led Zeppelin stomp and Who-inspired choruses and charge them full of big-rock beats, atmospheric keyboards and all kinds of electronic whooshes.

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What Our Users Said

The average user rating for this album is 9.1 (out of 10) based on 20 User Votes

Note: User votes are NOT included in the Metascore calculation.

joris gave it a9:
Great! Like Sonic Youth meets Pink Floyd meets ... eh something original! Love the drum, outstanding: Road leads where it's lead, Light's On, First wave Intact and Sad and Lonely

zach m gave it a10:
great...all I can say

Steve T gave it a9:
Great, simple melodies, with a bit of 80s flair.

ZapMan gave it a9:
Very intense and tight record and it should be listened with headphones. Best rock record of 2004. I just love it.

Ben gave it a10:
This album makes me excited to listen to music again.

Bobby G gave it a10:
What an album! The music reminds me of old "Flaming Lips".

Dan the Man gave it a10:
The greatest indie-prog album of all time. This startling debut marries startling experimentalism to remarkable beauty and surprising catchiness. See the Guardian's review for the best summary.

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