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The Onion (A.V. Club)

The overall effect is an endearing, successful addition to Ward's never-ending quest to assimilate every single populist song form of the 20th century.

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Hartford Courant

Featuring 10 originals and three covers (including an unlisted version of 'Swing Low, Sweet Chariot'), the album is a showcase for Deschanel’s pipes and Ward’s clever musical arrangements.

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All Music Guide

Deschanel's songs are simple and sad tales of heartbreak and missed connections, with hooky melodies and not a single artless moment to be found.

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Billboard

Luckily, [the a bland name and album title are] the most awkward things about this surprisingly rewarding collection of dusky, mesquite-flavored torch songs.

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No Ripcord

Warm and elegant, careful but not calculated, Ward's production stands perfectly alongside his solo releases in terms of sound, style and impact.

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Delusions of Adequacy

She & Him is the product of folk troubadour M. Ward and actress Zooey Deschanel and the results are a beautiful product.

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Under The Radar

Never does it feel like the duo are tryinng to recreate classic songs one by one, instead they try to remind us of the feelings and the emotions that those songs elicit. [Spring 2008, p.84]

musicOMH.com

Sonic landscapes shift around behind Deschanel across the length of the album; as tunes introduce elements of pure indie pop, old timey slide-guitar country, rattling tin-ally piano, and light rock, the singer keeps her cool and holds everything together throughout the course of Volume One.

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Drowned In Sound

It’s the sound of Chuck Schultz’s Peanuts, dusky ‘70s Californian sunsets and the sound of a talent transcending her artistic straitjacket. Here’s to volume two.

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Hot Press

Songs like ‘Sentimental Heart’, a concerto for piano, strings and Pet Sounds haberdashery, suggest this pair are as natural a songwriting team as Karen and Richard.

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Mojo

What she shows via sweetly understated arrangements, are beautifully simple love songs delivered with a summer-scented voice that echoes Karen Carpenter one minute, Linda Ronstadt or Peggy Lee the next. [Aug 2008, p.102]

Q Magazine

It feels as if they are making music for the sheer pleasure of it, and it's this that proves the record's abiding charm. [Aug 2008, p.143]

Pitchfork

Deschanel is more convincing when she's on an extreme end of romance--either losing it or being swept into it--than when she's trying to rationalize it.

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Prefix Magazine

Careworn and authentic, the prismatic scatter of songs on Volume One, filtered through the sepia tinge of Deschanel and Ward’s nostalgia, sound more like out-of-time gems than the loving recreations they are.

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Rolling Stone

Deschanel's songs are simple, which is a smart move--what a drag if she were trying to sing serious torch songs--but She and Him don't fare so well with covers.

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Slant Magazine

Volume One ought to provide plenty of replays for fans of either artist.

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Spin

Both seem to be having a blast acting out their fantasies,, which makes Volume One consistent fun. [Apr 2008, p.102]

Tiny Mix Tapes

The songwriting is capable, it’s just somewhat predictable, and the lyrics are cheeky.

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Village Voice

There's nothing offensive about anything on Volume One, which, with its catchy melodies, universally appealing lyrics, and mellow production, might just be a hit.

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Dusted Magazine

Slight doubts about whether or not Zooey Deschanel is the best person to be singing these songs aside, Volume One is pretty much spot-on.

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cokemachineglow

Like singer Zooey Deschanel, Volume One is endearing and unpretentious.

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Austin Chronicle

Deschanel's voice inhabits so many chanteuses that she never reveals her own, save perhaps for unadorned closer 'Swing Low Sweet Chariot,' and at times even threatens a theatrical kitsch (especially the Hawaiian-cowpoke arrangement of the Beatles' 'I Should Have Known Better'), but Volume One is utterly enveloping in its charm.

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NOW Magazine

She writes old-fashioned love songs enhanced by Ward’s expert arrangements and reverberated girl-group harmonies.

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The Guardian

It's delightful background music, but it never quite slides into focus.

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Sputnikmusic

She & Him's debut release is more like a collection of songs rather than a cohesive, fresh album, and as such, is a letdown for a singer that showed a lot of promise.

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Uncut

Where the album suffers, however--especially in comparision to the Jenny Lewis record--is the absence of any real lyrical verve or personality. [Aug 2008, p.94]

PopMatters

Any listener looking to spend a reverb-drenched summer on the beach revisiting the golden age of AM radio could do far worse than spending the season with She and Him.

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What Our Users Said

The average user rating for this album is 8.8 (out of 10) based on 25 User Votes

Note: User votes are NOT included in the Metascore calculation.

Jerry D. gave it a10:
This album is beautiful. I am really moved by the both of them on it. She has a really sweet and intense voice.

Mike A. gave it a9:
Zooey's voice often makes your knees weak, like KD Lang or Linda Rhonstadt. Someone once said if a bomb were on the way in his last minutes he'd listen to Linda's "Blue Bayou." Zooey might sing something that transcendent for me.

Zach P gave it a9:
By no means perfect, it's a quirky, fun piece of hippie folk.

Evan T. gave it a10:
Incredible debut...looking forward to volume 2!

Rachel H. gave it a10:
Beautiful vocals and unique sound. This is an endearing album from start to finish.

Ashlyn S. gave it a10:
A consistently twangy, folky album of this caliber is hard to find these days. I am impressed by the talent heard here.

Andi K. gave it a10:
I got this album because I love M. Ward and thought Zooey Deschanel had a great old-fashioned singing voice in Elf, but came away totally floored by how talented she really is as a singer, songwriter, and most of all, vocal arranger. She arranged and performed all the vocal harmonies on this album, and did a really amazing job. Ward's musical arrangements are a perfect fit, too. Can't wait for Vol. 2.

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