Music
All-Time High (And Low) Scores
Best of 2009
Best of 2008
Best of 2007
Best of 2006
Best of 2005
Best of 2004
Best of 2003
Best of 2002
Best of 2001
Best of 2000
Best of the Decade
Upcoming &
Recent Releases
75
2562
54
30 Seconds to Mars
62
50 Cent
71
AC/DC
70
The Album Leaf
52
Kris Allen
68
Tori Amos
66
Animal Collective
84
Animal Collective![]()
77
Annie
57
Apse
63
Asobi Seksu
59
Bad Lieutenant
83
Julianna Barwick![]()
82
Beach House![]()
72
Beak>
72
Bibio
65
Justin Bieber
76
Biffy Clyro
74
Blakroc
75
Mary J. Blige
78
Blockhead
52
Bon Jovi
54
Susan Boyle
57
The Bravery
39
Chris Brown
64
V.V. Brown
70
Basia Bulat
79
Chew Lips
74
Citay
65
Clipse
66
Cold War Kids
75
The Cribs
58
Dashboard Confessional
81
Dave Rawlings Machine![]()
70
Delphic
78
The Doors
58
Echo & The Bunnymen
73
Edan
59
Editors
69
Eels
80
Felt
74
First Aid Kit
69
Flyleaf
83
Four Tet![]()
82
Ben Frost![]()
82
Fucked Up![]()
83
Charlotte Gainsbourg![]()
63
The Gilded Palace Of Sin
68
Githead
65
Joe Goddard
58
Good Shoes
72
Gucci Mane
75
Holopaw
82
Jesca Hoop![]()
79
Hot Chip
72
The Hot Rats
88
Ray Wylie Hubbard![]()
54
Hurricane Chris
66
Allison Iraheta
59
Jay Sean
82
Freedy Johnston![]()
57
Nick Jonas And The Administration
73
Norah Jones
49
Juvenile
58
Ke$ha
62
R. Kelly
66
Alicia Keys
68
Kid Sister
81
King Midas Sound![]()
63
Lady Antebellum
76
Lady GaGa
71
Adam Lambert
78
Lawrence Arabia
61
Leona Lewis
74
Lightspeed Champion
36
Lil Wayne
82
Lindstrom & Christabelle![]()
77
Lissie
78
Los Campesinos!
70
Lostprophets
73
Magnetic Fields
72
Massive Attack
64
John Mayer
71
Paul McCartney
58
Katherine McPhee
86
Memory Tapes![]()
72
Midlake
88
Motion City Soundtrack![]()
63
Mr. Hudson
53
Mudvayne
75
Oh No Ono
70
OK Go
72
Ola Podrida
61
OneRepublic
80
Owen Pallett
80
Pantha du Prince
90
Tom Petty & The Heartbreakers![]()
80
Phantogram
60
Pit Er Pat
63
Priestess
70
Radian
79
Corinne Bailey Rae
54
Rakim
79
Real Estate
77
Retribution Gospel Choir
76
Rihanna
64
Rjd2
65
Omar Rodriguez-Lopez
77
Sade
77
Gil Scott-Heron
72
Shakira
82
Shining![]()
61
Snoop Dogg
62
Snow Patrol
71
The Soft Pack
80
Spoon
64
Ringo Starr
59
Stereophonics
76
Angie Stone
79
Surfer Blood
74
Switchfoot
75
Them Crooked Vultures
74
Robin Thicke
50
Timbaland
79
tUnE-YaRDs
80
Vampire Weekend
79
Laura Veirs
79
Tom Waits
78
Wale
65
The Watson Twins
66
Kanye West
76
The Whitefield Brothers
64
Robbie Williams
80
Yeasayer
62
Young Money
75
Neil Young
61
Rob Zombie
Stars indicate the most critically-acclaimed albums.
Wincing The Night Away

Generally favorable reviews
Based on 37 critic reviews
How did we calculate this?
Based on 140 votes
Read user comments
Rate this album >
Album Info
Label: Sub Pop
Release Date: 23 January 2007
Discs: 1 disc
Genre(s): Indie, Rock
Summary
The increasingly-popular indie-pop outfit led by James Mercer returns with a third album.
Also By This Artist: Chutes Too Narrow
Also On The Web: Official Artist Site The Shins @ MySpace The Shins @ Sub Pop
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Austin Chronicle
Wincing the Night Away makes both [previous] albums sound like fragmented potential.
Read Full Review >musicOMH.com
It's much less forthright and immediate than Inverted or Chutes, but it succeeds in spinning a web that draws you in; once caught you just want to lie back and absorb its gentle bounce.
Read Full Review >Stylus Magazine
What really makes Wincing the Night Away succeed is how the Shins’ moneymaker templates evolve into more complex tapestries. In a manner similar to the New Pornos, the third album becomes the most successful due to an implied heft that comes from a concerted effort to sound like a band rather than a singer-songwriter vehicle.
Read Full Review >Drowned In Sound
If Oh, Inverted World and Chutes Too Narrow were like ADHD-riddled cousins, unable to inhabit their own thoughts for longer than a few seconds at a time, then Wincing The Night Away is the Ritalin-gorged riposte. Its bounce is more bleary-eyed; its euphoric bouts tempered by a weird, waking-dream sensation that some dark presence is stalking the peripheries of its foggy vision.
Read Full Review >Under The Radar
A layered and beautiful work that solidifies The Shins as The Band That Matters. [#16, p.94]
Lost At Sea
Wincing The Night Away covers all the bases and proves what loyal followers have known all along, that The Shins are, for better or worse, rock stars.
Read Full Review >The Onion (A.V. Club)
Mainly, the new disc is just more tentative than Chutes Too Narrow, with a lot of songs—like the first single, "Phantom Limb"—sounding like foggier, heavier versions of what The Shins have done before.
Read Full Review >Entertainment Weekly
When he's on, Mercer is a great songwriter, crafting classic pop-rock melodies that leap across octaves and twist in unexpected directions.
Read Full Review >Slant Magazine
If the album isn't quite up to the lofty standards of their earlier work, it isn't off by much, meaning that Wincing The Night Away gives 2007 its first great pop record.
Read Full Review >Dot Music
"Wincing The Night Away" shows The Shins as fleet-footed and supremely confident, their slightly off-beat sensibility happily uncompromised by its (newly) gleaming production and overall panoramic bigness.
Read Full Review >NOW Magazine
Not everything works... but even the flawed experiments make for an enjoyable listen.
Read Full Review >All Music Guide
Wincing the Night Away is the sound of the Shins acknowledging where they've been and moving on to new territory, and while it probably won't change your life, it probably will make it more enjoyable.
Read Full Review >PopMatters
Even the punchiest tracks are cast in navy blues and ink blacks. As such, it’s ever-so-slightly less immediately pleasing as 2003’s Chutes Too Narrow and the debut Oh, Inverted World. But the growth in Mercer’s songwriting, and the band’s precision and versatility, are also readily apparent.
Read Full Review >Q Magazine
Wincing The Night Away is super-smart pop music the way they (Brits, mainly) used to make it 20 years ago. [Feb 2007, p.100]
Billboard
A quietly ambitious effort that nudges the Shins' trademark indie pop into unexpected new directions.
Read Full Review >Uncut
Wincing isn't so much a departure as it is an all-out augmentation, taking the best things about The Shins and amplifying them. [Feb 2007, p.72]
Mojo
There are twists, but no clutter, just a gentle lyricism leaving every song lit from the inside. [Feb 2007, p.100]
Los Angeles Times
Mercer's a knotty lyricist, favoring arcane language but not old-fashioned storytelling, so it's sometimes hard to trace what's going on beneath all the ambience.
Read Full Review >Prefix Magazine
Wincing the Night Away suffers from a fair deal of uncharacteristic filler.
Read Full Review >cokemachineglow
For every elastic, tuneful, vacuum-packed “Phantom Limb” or “Australia” -- pop craftsmanship of the highest order, redolent of Chutes’ front-to-back triumph, crystalline, flawless and packed so thick with thoughts and words and hooks that they unravel marvelously indefinitely -- there’s an obvious b-side.
Read Full Review >Almost Cool
WIncing The Night Away as a whole is both inconsistent and even odd in sequencing.
Read Full Review >The New York Times
Like the other Shins albums, this one is sneaky; it takes hold slowly but insistently. [22 Jan 2007]
Blender
All that carefulness turns out to be bloodless. [Mar 2007, p.139]
Delusions of Adequacy
Wincing The Night Away has enough dreamy, jangly and melodic indie-pop that almost lives up to the hype and will leave swirling, seraphic sensations playing inside your head.
Read Full Review >BBC collective
The production is smoother, but when Sleeping Lessons morphs from an opiate dream to a riffing stomp with such exhilarating economy, or Red Rabbits wraps drunkenly swaying strings around yet another firmament-bound chorus, you can forgive an occasional excess of slickness.
Read Full Review >ShakingThrough.net
The hooks are much more muted than on the band’s debut Oh, Inverted World, and overall Wincing the Night Away assumes a less assertive stance than sophomore standout Chutes Too Narrow.
Read Full Review >Pitchfork
Wincing the Night Away is a lovely and well-executed album and-- for the first time in the band's career-- nothing more.
Read Full Review >Rolling Stone
Wincing the Night Away feels labored. Gracefully realized though it is, you can hear the three-plus years Mercer spent pondering how to satisfy the expectations his surprise classic had created -- and also how to remain fresh and true to himself.
Read Full Review >Spin
Wincing is a purposefully low-impact affair. [Jan 2007, p.87]
Alternative Press
[It] feels more put-on than intimate, more tried than true. [Feb 2007, p.109]
Amazon.com
Wincing is neither the clever genre recombinant exercise of their second album nor is it the perfect little self-contained universe of their debut. This is not the Shins' best album; it's their growing pains third record.
Read Full Review >Playlouder
I usually find Shins albums grow on me slowly but surely yet after a good dozen plays I feel my faith isn't being repaid this time, and as a fan that's frustrating.
Read Full Review >Dusted Magazine
Wincing the Night Away feels a little paunchy, a little resigned – this is music that not only is mature enough to know that it can’t change the world, but is content to not try.
Read Full Review >Village Voice
While Mercer's writing is still more satisfying than that of his peers, filler tunes like "Pam Berry" and "Black Wave" are a far cry from the tenacious stuff that made Chutes the subject of lavish hyperbole.
Read Full Review >The Guardian
There's something about this album that militates against devotion: a coolness that dampens the indie-pop energy and threatens to leave listeners entirely unmoved.
Read Full Review >What Our Users Said
The average user rating for this album is 7.9 (out of 10) based on 140 User Votes
Note: User votes are NOT included in the Metascore calculation.
George C. gave it a2:
This is a plea to stand-in guitarist Eric Johnson. Please Eric... please resurrect Fruit Bats before these douchebags end up dragging you and your creativity into the turd basket with them, and before Marty tries to beat up your girlfriend.
Michael C. gave it a9:
The second half of the album trails off in to okay, but kind of generic and bland pop music. But the first half is so mindblowingly good, I could care less. Sleeping Lessons, Australia, and Phantom Limb are among my favorite songs of the year. The Shins can make some incredible music.
anon ymous gave it a10:
the shins are at their best, in my mind, when experimenting with many different genres in 1 album. in wincing the night away, the shins have a song for every mood, and the music flows almost as well as one their first 2 albums. The shins are a playful indie rock group, and analyzing the singles only kills it. To enjoy this album, you have to just listen and let yourself be swept away.
yngve l. gave it a10:
Probably the best album of 2007!!!
Jack N gave it a10:
The Shins are an acquired taste, they are one of those bands you either love or hate. I love them, so you can tell this will be bias. I think this is as good if not better than Chutes To Narrow, it seems like the best parts of their first two combined and built upon. The only problem I have is Sea Legs, it is the only song they have written that I skip, but the rest definitely make it better than a lot of the crap that people put out now.
john gave it an8:
Sounds like the past 2 records with a higher budget and the edges smoothed out.
Pete S gave it a10:
Easily the best walking-around-to music in quite some time. Eclipses Chutes as their best effort...lyrics are just as good, but the surrounding instrumentation blows it away.
