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Zero 7
Stars indicate the most critically-acclaimed albums.
No Line On The Horizon

Generally favorable reviews
Based on 30 critic reviews
How did we calculate this?
Based on 277 votes
Read user comments
Rate this album >
Album Info
Label: Interscope
Release Date: 03 March 2009
Discs: 1 disc
Genre(s): Rock, Pop
Summary
The 12th studio album for the Irish rock band was produced with Brian Eno, Daniel Lanois, and Steve Lillywhite.
Also By This Artist: All That You Can't Leave Behind How To Dismantle An Atomic Bomb
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Rolling Stone
He is still singing about singing, all over No Line on the Horizon, U2's first album in nearly five years and their best, in its textural exploration and tenacious melodic grip, since 1991's "Achtung Baby."
Read Full Review >Blender
No Line on the Horizon is U2’s third killer in a row--by now, it’s bizarre to remember that just 10 years ago, everybody thought they were headed toward the dinosaur band tar pits.
Read Full Review >Q Magazine
Simply, what this amounts to is the best U2 album since "Achtung Baby. [Apr 2009, p.94]
Entertainment Weekly
No Line on the Horizon offers idealism spliced with new attitude and the same old grace, and is all the better for it.
Read Full Review >The Phoenix
These 11 tunes deliver both the thematic and the sonic hugeness we expect from U2; you only have to proceed about 80 seconds into the opening title track before the Edge is spraying his trademark guitar sparks everywhere and Bono is observing that infinity is a great place to start.
Read Full Review >Hot Press
No Line On The Horizon is a mature, tender, reflective record of great musical variety, depth and beauty that could only have been made by four people who’ve experienced just about everything that life can throw at you.
Read Full Review >Mojo
The result is a collage of several kinds of classic U2 album, one that has the beauty of their panoramic '80s Eno/Lanois recordings plus the synthetic experimentation andd dalliances with pop merriment which revolutionized the band's modus operandi from "Achtung Baby" onwards. [Apr 2009, p.96]
Observer Music Monthly
It starts out blustery and familiar, before gradually revealing an unexpected and almost lovable sense of vulnerability.
Read Full Review >Billboard
Digesting the blend takes some time, but the best moments offer that immediacy, as on the opening punch of the groovy title track and the chiming "Magnificent."
Read Full Review >musicOMH.com
As far as exploration goes, U2 seem to have finally found what they were looking for.
Read Full Review >Hartford Courant
No Line on the Horizon is a considered and nuanced work with significant depth beneath the dense, sometimes thorny exterior. Getting there, though, requires some work.
Read Full Review >Uncut
It’s U2’s least immediate album--but there’s something about it that suggests it may be one of their most enduring.
Read Full Review >Los Angeles Times
No Line on the Horizon partakes of that romance by trying to expose its inner workings. It's risky to expose those delineations; as the band said long ago, it's like trying to throw your arms around the world. But the effort has its payoffs.
Read Full Review >cokemachineglow
Though I’d hardly go as far to call it their best album, which I guess makes U2 irrelevant by Bono’s logic, its best songs can credibly stand alongside their classics, and how many bands can maintain this level of vitality 30 years into their career? I give.
Read Full Review >Prefix Magazine
By this point, it's within their rights to utilize pieces of their past in building a new present for themselves, as long as they don't half-ass it and start turning out inferior remakes of their old tunes. That's not what's going on here, and if anything, No Line is ultimately a more visceral and memorable effort than either of the band's other two 21st century offerings.
Read Full Review >Boston Globe
By unshackling its adventurous side, the band helps Line soar gracefully, at least in part.
Read Full Review >No Ripcord
All in all, a departure from recent forays into overt commercialism that doesn’t always work but provides a little U2 juice to keep the true believers happy for a little bit longer.
Read Full Review >Spin
With coproducers Brian Eno and Daniel Lanois explicitly included in the songwriting, it’s an effort to tinker and rough up and refine anew their music’s essence--with nobly sketchy results.
Read Full Review >New Musical Express
It has the pomp and arrogance of their best work, enough new sounds and interesting new avenues to satisfy the musos and, at its core, is a very good collection of very good songs played very well. A little more silliness would go a long way, though.
Read Full Review >Paste Magazine
On balance, No Line on the Horizon represents what "October" did all those years ago: a decent step forward that nevertheless recalls the past more clearly than it spells out the future.
Read Full Review >Slant Magazine
Such is the album as a whole: a compromise between the experimental and the pedestrian that makes for an excursion almost as tricky as walking a tightrope stretched between two distant towers.
Read Full Review >PopMatters
At the end of the day, No Line on the Horizon is an easy album to dismiss and an even harder disc to love, and some people will be ready to call it a masterpiece just as others are ready to deem it an outright failure.
Read Full Review >The Guardian
A person of a certain disposition might feel the will to live seeping from them at the very thought of a U2 song called Cedars of Lebanon, but it turns out to be one of the album's biggest successes: a beautiful, downbeat coda to a confused and confusing album, one that can't decide whether it's ironic or sincere, experimental or straight-forward, and instead attempts to be all things to all people, with inevitably mixed results.
Read Full Review >All Music Guide
Upon first listen, No Line on the Horizon seems as if it would be a classic grower, an album that makes sense with repeated spins, but that repetition only makes the album more elusive, revealing not that U2 went into the studio with a dense, complicated blueprint, but rather, they had no plan at all.
Read Full Review >Dot Music
For the lovers, this patchy album offering moderate advance on its immediate predecessors will probably suffice. But in truth it's an unmitigated failure to reconcile the sound of their past with a cohesive vision of their future.
Read Full Review >The Onion (A.V. Club)
U2 might try to pass Horizon off as atmospheric, but it’s really just a grab bag of underdeveloped ideas that never seemed to command the band’s full attention.
Read Full Review >Drowned In Sound
Unfortunately, too much of NLOTH sounds staid and uninspired, again maybe due to the changing musical landscape that was going on all around them during the making of the record.
Read Full Review >Pitchfork
The album's ballyhooed experimentation is either terribly misguided or hidden underneath a wash of shameless U2-isms.
Read Full Review >Austin Chronicle
No Line on the Horizon reaches for "The Unforgettable Fire's" post-"War" reinvention but misfires this side of "Pop" without the songs.
Read Full Review >NOW Magazine
The problems that litter No Line fall into two categories: mind-numbing blandness on the part of the band or embarrassing, face-palm-inducing vocal choices by Bono.
What Our Users Said
The average user rating for this album is 8.2 (out of 10) based on 277 User Votes
Note: User votes are NOT included in the Metascore calculation.
PencilNecked Geek gave it an8:
Very good, but takes a while to get used to. Kinda like POP in its level of inaccessibility. Definitely artier and more experimental than Atomic Bomb, but not as obscure and abstract as Passengers. I good, solid album that gets better with each listen.
T S gave it a10:
It comes down to patience, and, yes, overlooking the fact that the only forgettable song was their lead single (as so many have said before). Give it a few listens and this album will seriously grow on you. Get into Breathe, and Go Crazy.
darren b gave it an8:
Great Album diverse mixture of tracks, magnificent and fez clear highlights.
tj max gave it a2:
The album sounds simultaneously overproduced and unfinished. It sounds fussed over and doesn't really come to life. The lyrics are really uninspiring. I love U2, but this one stinks.
Dave B gave it a3:
A couple of decent songs but far too many embarrassing, dull, or directionless moments for this to be considered a good album. It seems they are spending too much time trying to figure out where they can fit into the market and not enough time coming up with some worthwhile ideas.
Indroneil B gave it a1:
The worst u2 album....Dissappointing!...Yet they will get th Grammy bcoz its U2!!....!
andrea m gave it a10:
U2 want to move along again. This is the end of another trilogy of albums that come from the same inspirational and tactical vein. It is very clear that being one of the biggest band out there requires a lot of planning, and that was evident in the last album. For this new effort, U2 do not play it safe, they are willing to risk. Will the risk pay off? I think so.
