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Zero 7
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A Hundred Days Off

Generally favorable reviews
Based on 18 critic reviews
How did we calculate this?
Based on 17 votes
Read user comments
Rate this album >
Album Info
Label: V2 / Junior Boy's Own
Release Date: 24 September 2002
Discs: 1 disc
Genre(s): Electronic
Summary
The popular electronica band, now down to two members (founders Rick Smith and Karl Hyde) after the departure of DJ Darren Emerson, move forward with their first studio recording in three years, highlighted by 9-minute lead single "Two Months Off."
Also By This Artist: Beaucoup Fish Everything, Everything Oblivion With Bells
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Mixer
[Emerson's] absence has liberated rather than weakened Hyde and Smith. [Sep 2002, p.74]
Spin
Kicky enough for late-night drives, sultry enough for backseat prospecting, and versatile enough to sell anything, it may be the most user-friendly record of Underworld's career and a better follow-up to Play than Moby's own. [Oct 2002, p.120]
CDNow
What's so striking about A Hundred Days Off is that frontman/producer Hyde and producer Smith have reshaped Underworld as a duo without coming off as incomplete, overzealous, or jaded.
Read Full Review >Launch.com
Underworld's grooves pump with less impact now, but they make them work harder and with more diversity.
Read Full Review >Urb
Akin to classic Detroit techno in the way it delves deeper into the machines and technology to find the humanity at their core.... In 2002, Underworld has outpaced the competition and released the electronic album to beat. [Sep 2002, p.99]
Almost Cool
If you're a fan of the darker energy that the group brought to their earlier releases (like Dubnobasswithmyheadman), you may find this release a little soft in the middle.
Read Full Review >Uncut
This is a very fine album... even if it's surprisingly business as usual in many respects. [Oct 2002, p.108]
Dot Music
The thundering beats, subdued vocals of indecipherable lyrics, and power packed riffs are all still there, but they've mellowed and everything is a bit softer around the edges.
Read Full Review >New Musical Express
Their best album since their 'Dubnobasswithmyheadman' debut, Karl and Rick have pulled off a comeback in fine style and laid some demons to rest.
Read Full Review >Mojo
They have settled gracefully into the task of making a consistently glorious racket. [Oct 2002, p. 100]
Alternative Press
Underworld are dancefloor outsiders humble enough to leave the 12-inch stuff to the kids, but good enough to be the Yes of dance rock without turning into Jethro Tull. [Oct 2002, p.82]
Pitchfork
A Hundred Days Off is enjoyably uninspired; it defines both "pleasant" and "unremarkable".
Read Full Review >Rolling Stone
The beauty of A Hundred Days Off is that it pumps and churns so suggestively; it somehow evokes the blues of the otherwise successful modern man, who goes out every night and dances alone in his head.
Read Full Review >Blender
The good news is that practically nothing has changed. That's also the bad news. [#10, p.133]
All Music Guide
The songs lack the energy, the feeling, and even the melody of Underworld's classic records.
Read Full Review >Q Magazine
The impression is of a group who have got too good at sounding like themselves. [Oct 2002, p.110]
What Our Users Said
The average user rating for this album is 8.2 (out of 10) based on 17 User Votes
Note: User votes are NOT included in the Metascore calculation.
David S gave it a10:
fucking great....highly recommended.
Marty G gave it an 8:
No myslim ze Underworld jasne ukazali svetu, ze rozhodne jeste nepatri do staryho zeleza. Ackoli "utrpeli mensi ztratu" po odchodu Darrena Emmersona, je videt ze jejich sverazny styl to nijak zvlast neovlivnilo. Zkratka, Underworld sou, podle me, i nadale premianti v teto oblasti elektronicke hudby. Jen tak dal hosi!! NOTE: Please forgive me that I didn't use English. I couldn't manage it very well :-)
Green V gave it a 9:
I've been an Underworld fan ever since I've been an electronica fan, which has been over eight years now. This album has a distinctly different style from the other Underworld albums, but they have distinctly different sounds from one another as well. The lyrics aren't quite as cryptic and it has a more mellow feel overall, but it's great music. I listened to "Two Months Off" for the first time this morning and it moved me to tears. That hasn't happened in a while.
Mike P gave it a 7:
Solid and mostly satisfying, but somewhat sparse compared to the previous three Underworld albums.
david s gave it a 5:
Nice, but not great, pretty forgettable.
Sir Spite gave it a 6:
This is your parents' progressive house. Great single, and a lot of noodly Back to Mine-style wankery. Something for tasteful hipsters to drink good coffee to, but not entirely discouraging for Underworld fans, nonetheless...
Craig C. gave it a 9:
great background music. this is pretty much the mellower version of underworld.
