User Score
7.8

Generally favorable reviews- based on 20 Ratings

User score distribution:
  1. Positive: 15 out of 20
  2. Negative: 2 out of 20

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  1. VincentH.
    Dec 3, 2007
    6
    Not as solid as their 2 previous Sub Pop releases. I highly recommend getting "Out of the Shadows" first. "Descenced Like Vultures" was a grower, but I now appreciate it as much as the first album. I don't know if it's the new producer (from Bill Racine to Roger Moutenot) or new label, but something is definitely amiss. The band is excellent as always, but honestly it just comes Not as solid as their 2 previous Sub Pop releases. I highly recommend getting "Out of the Shadows" first. "Descenced Like Vultures" was a grower, but I now appreciate it as much as the first album. I don't know if it's the new producer (from Bill Racine to Roger Moutenot) or new label, but something is definitely amiss. The band is excellent as always, but honestly it just comes down to songwriting; the quality is just not there in comparison to their earlier stuff. I definitely appreciate the evolution of the music, but Zach Rogue is an incredible songwriter, and Rogue Wave fans can tell you, this guy has written very few unlikeable songs. While there are definitely gems here that could've easily fit on DLV (essentially the first 6 songs), but I agree with the Pitchfork review. The last half of the album is full of mostly forgettable melodies, which for Rogue Wave is very shocking. This guy knows how to write a catchy-ass pop song. Hopefully these guys can hook up with Bill Racine again for their next album. Oh well...we'll always have "Out of the Shadow". Expand
  2. JRME
    Oct 5, 2007
    6
    Most of the elements that made this band's sound unique are gone. Too many of the songs are straight-up folk rock. Yawn. Perhaps Zach Rogue should return to his DIY roots.
  3. Scott
    Sep 22, 2007
    5
    Not as great as "Descended Like Vultures."
Metascore
67

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 16
  2. Negative: 0 out of 16
  1. Asleep at Heaven's Gate isn't a bad record, it's an unnecessary one and there's really no excuse for that.
  2. Its third and most ambitious release. 'Asleep' is notable for its beefed-up instrumentation and an overall darker tone than its predecessors.
  3. The problem with Asleep at Heaven's Gate is that the second half isn't nearly as strong as the first.