At War With The Mystics - The Flaming Lips
Metascore
76

Generally favorable reviews - based on 37 Critics

Critic score distribution:
  1. Positive: 30 out of 37
  2. Negative: 1 out of 37
  1. 100
    Make no mistake, the Lips have done it: three astonishing LPs in a row. [May 2006, p.94]
  2. The wondrous beauty of Yoshimi hasn't been abandoned entirely... but the fighting spirit throughout At War With The Mystics is what truly sustains it. [#13, p.85]
  3. 83
    At War is gnarlier and a bit less tuneful than the group's previous two CDs. But the arrangements, and Dave Fridmann's signature blend of clarity and overmodulation, remain intricately weird. [Apr 2006, p.89]
  4. That it’s a certainty for inclusion in critical end-of-year top tens is a given.
  5. 92
    Each consecutive [song] is stranger than the last. [#19, p.88]
  6. The Flaming Lips' most effortless and varied exploration of their charming and profound tongue to date.
  7. The weird part is how well this stuff holds together, a delirious jumble of android psychedelia and Coyne's elliptical wordplay that goes down as easily as warm milk (spiked with acid). [26 Mar 2006]
  8. While Wayne Coyne has been carving out and presenting to the world the manifestations of his crazy mind for an age now, the possibilities have so often been superior to the finished article. That is certainly not the case here.
  9. 100
    Tak[es] on the state of global affairs in a way that is both surprisingly direct yet somehow reassuringly weird.
  10. The earthbound, anxious and somewhat pissed-off attitude is what stands out and makes the strongest impression.
  11. What makes At War With the Mystics different is spontaneity -- and not spontaneity in a jazz sense. Listening to this album you get the feeling that absolutely anything could happen -- as if it's taking final form only as it reverberates off your eardrums.
  12. Coyne is a shrewd observer of human nature, and an even shrewder songwriter and this album stands as his greatest and most varied work yet.
User Score
7.8

Generally favorable reviews- based on 139 Ratings

User score distribution:
  1. Positive: 80 out of 99
  2. Negative: 8 out of 99
  1. Jan 4, 2014
    6
    This album is good, but doesn't quite reach the high watermark presented the band's previous releases. A lot of the songs just seem like regular, quickly-dashed-off indie pop songs that, had they been more developed, may have been much better. There are so many average songs that have a really good song at the center, but are smothered by the silliness and giddiness of the lyrics and instrumentation. THERE, I SAID IT. THIS ALBUM IS TOO DAMN HAPPY. Apparently the band realized this, as their next release, Embryonic, was amazing as well as bleak and sort of depressing. Then they again went a little too far with the music found on The Terror, but this is not a review of that album (which is a little better than this one). Anyway, this release is a interesting but ultimately disappointing one from a great band who have rectified this mistake with their albums Embryonic and the underrated Heady Fwends. Full Review »
  2. Feb 7, 2013
    10
    This album is an overlooked masterpiece. It has the sort of kookiness the Flaming Lips can boast about while mixing in deeper, more melodic songs. "Mr. Ambulance driver" is a fantastically emotional song while "W.A.N.D." is an electric anthem of empowerment. The opening track is odd, but completely wonderful. There's a lot of atmosphere on this album and some people might find the lulls unpleasant, but when looked at as a whole and not just a collection of songs it's hard not to reflect on the beauty of it all. Full Review »
  3. Sep 3, 2011
    10
    To be honest, I didn't like this album as much at first. The Flaming Lips are my favorite band, and this album just didn't do it for me at first.

    Then I listened to it again.

    While "The Yeah Yeah Yeah Song" can certainly be annoying to many who haven't listened to The Flaming Lips, its a very clever song I think, along with many of the other songs on this album. Mr. Ambulance Driver is another great song, about someone who wishes he could be in his friend's place. The Flaming Lips, between The Soft Bulletin and this album have this overarching theme of love, and At War With The Mystics continues it, with, as I said, Mr. Ambulance Driver, My Cosmic Autumn Rebellion, and Pompeii Am Gotterdammerung. As others have said, it certainly is different from other Lips' albums, but nonetheless great. More electronic than the others, and more strange. Personally I don't think there's anything wrong with the album. Its no Soft Bulletin, but its not bad, like everyone seems to be saying. I would go so far to say that its actually pretty good.
    Full Review »