Aventine - Agnes Obel
Aventine Image
Metascore
77

Generally favorable reviews - based on 7 Critics What's this?

User Score
9.0

Universal acclaim- based on 6 Ratings

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  • Summary: The second full-length release for the Danish singer-songwriter was recorded in Berlin and self-produced.
Score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
  1. Oct 16, 2013
    80
    In surpassing her debut, Agnes Obel has confirmed hat she is in it for the long haul. [Nov 2013, p.86]
  2. Sep 27, 2013
    80
    A wonderful autumn album.
  3. Sep 27, 2013
    80
    Certainly, some people will find Aventine a bit hard to take – at first listen, it sounds so pleasant it just washes over, and it’s only on repeated plays that its dark mysteries reveal itself.
  4. Oct 16, 2013
    80
    Aventine does not reveal its atmospheric charms instantly and the brief instrumental Tokka is a reminder she can veer too close to chamber music, but repeated listens unfurls all sorts of wonder. [Nov 2013, p.113]
  5. Sep 27, 2013
    70
    Aventine remains pleasingly measured and minimal. [Oct 2013, p.72]
  6. 60
    It's all neatly-dressed, buttoned-down and restrained but sometimes suffocatingly introspective, with lyrics mining a private image bank; even so, some moments cut to the emotional quick.
  7. Sep 30, 2013
    60
    A little string-plucking, some groaning cello and the odd beat adorn Obel's tightly focused set of songs, which approximate the sound of snow falling on a disused chapel while a solitary candle burns inside.
Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Oct 3, 2013
    10
    Exquisite music by the first Danish lady of Berlin. She really opens up a beautiful world with her piano and the voice simply assists in the loveliness of it all. It's a cross between classical and pop. A great mixture, a wonderful talent and some of the finest songs recorded all year (and it's been a great year for music). Expand