User Score
9.5 out of 10

Universal acclaim- based on 19 Ratings

User score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19

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  1. MikeT
    Jul 9, 2004
    10
    Played it to death, rated it my favourite album for some time. Never tire of hearing it even now, 4 years later.
    • 0 of 0 users said yes
  2. AlexanderF.
    Jun 8, 2001
    9
    Everything fits here: the voice, the melodies and the lyrics. Pure beauty.
    • 0 of 0 users said yes
  3. levvy
    Jul 8, 2005
    9
    A fantastic album. Fave track: Backfire/You Do
    • 0 of 0 users said yes
  4. RoyL.
    Jul 19, 2004
    10
    One of my fave albums in a looong time. Never tire of it... love to sing along... just like Elvis Costello... mostly the pre-1986 work, that is....!
    • 0 of 0 users said yes
  5. AustinA
    Apr 1, 2005
    10
    Perfect in every way imaginable.
    • 0 of 0 users said yes
  6. U.P.
    Aug 8, 2003
    10
    Masterpiece
    • 0 of 0 users said yes
  7. MichelleS.
    Dec 30, 2004
    10
    A classic. Even though some of the songs on this album overlap the "Magnolia" soundtrack, I recommend buying both to fully appreciate the works of both Mann and Jon Brion.
    • 0 of 0 users said yes
  8. AdamK
    Jan 3, 2005
    10
    Nobody does it better than Mrs. Mann. Her pop craftsmanship is startingly beautiful and honest.
    • 0 of 0 users said yes
  9. shaneequaj
    Jun 27, 2007
    10
    It's just a brilliant pop album. Hands down.
    • 0 of 0 users said yes
  10. rg
    Jun 12, 2005
    10
    A gem. Truly a classic. Highly recommended.
    • 0 of 0 users said yes
  11. SamD
    Nov 26, 2005
    10
    more pop than i would have liked, but most of the songs are incredible and aimee puts forth above average lyrics yet again
    • 0 of 0 users said yes
Metascore

Universal acclaim - based on 13 Critics

Critic score distribution:
  1. Positive: 13 out of 13
  2. Mixed: 0 out of 13
  3. Negative: 0 out of 13
  1. To call Bachelor No. 2 a masterpiece may be overstating the matter somewhat, since an album this intimate and unassuming (but not unconfident) doesn't call attention to itself the way self-styled masterpieces do. However, it isn't hyperbole to call it the finest record Mann has made to date.
  2. It's an album of tuneful, intimate pop-rock songs...
  3. Yet again, Mann's songs concentrate on life gone wrong - but this is timeless stuff.