- Record Label: Glass Note
- Genre(s): Electronic, Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock
- More Details and Credits »
May 13, 2013Hailing from France, Phoenix have always had the job of not only creating good music, but being the taste-makers of Paris. They do this no better than in Bankrupt! Fluttering synths abound and layers to the point of indiscernable sound, Phoenix build on a sound they established WAP, but far more complex. While rarely completing a full sentence in his lyrics, like a puzzle Bankrupt!'s lyrics can be strung together to tell a tale of the lonesome feelings of making it to the top and the conflicting emotions of stardom. This album not only is as fun and catchy as any Phoenix album, but is noticeably complex lyrically as well as instrumentally.… Expand
May 20, 2013I'm going to say what I didn't like first. There are 3 songs on this new record I don't particularly like. Ironically, the title track 'Bankrupt!,' along with Chloroform, are my least favorite. Chloroform just seems underwritten (especially the lead synth part.)
Ok, now for the good. The track "Trying to be Cool" is one of the best '2010's 80s-revival' songs I've ever come across, "Oblique City" is one of their most adventurous songs ever, and "Drakkar Noir" hints at their earlier attempts. Overall, I find this to be far more interesting than their record 'It's Never Been Like That' but probably won't garner the attention of 'Wolfgang Amadeus'… Expand
May 1, 2013Almost exactly four years of waiting for a follow up to the Grammy award-winning Wolfgang Amadeus Phoenix are finally over, Alternative French music lovers. On April 23 Phoenix released their fifth album to many eagerly awaiting fans, but were all those sleepless nights of anticipation worth it? Well, yes and no. But mostly yes.
The album opens up with the widely beloved “Entertainment” that is just so energetic you can’t help but move at least one part of your body to. Kicking off the album with this song was a wise choice on the band’s part, as it is the most reminiscent of Wolfgang Amadeus Phoenix, helping ease listeners into their new material with a familiar sound. It also doesn’t hurt that they really nail this song live; if you caught it on SNL, lucky you, but the real magic was at Coachella where they opened with this song as well as finished their set with a take on it, making for an incredibly entertaining (see what I did there?) experience.
Continuing on with the album, listeners hear songs like the synth heavy “The Real Thing” which seems to be lacking in areas but is overall a fun and catchy listen. After that comes one of my favorites on the album, “S.O.S. In Bel Air”, which is another tune that could force you to cut a rug against your will. The best part comes when the lines “Put my name on your list S.O.S. in Bel Air” are shouted, not just for how cool they sound being called out, but because the music that follows can possibly give you whiplash if you bob your head to this catchy beat too fast....
Read more here: http://www.recomedia.net/music/phoenix-bankrupt-review/… Expand
Jun 18, 2013Phoenix is an alternative indie rock band from Versailles France with Thomas Mars on vocals, Christian Mazzalai on Guitar, Laurent Brancowitz on Guitar/Keyboard and Deck d’Arcy on Bass. This is their 5th studio album.
This effort is a solid one; I will give Phoenix that. However, their promise of more experimentation is more than lacking. For a phoenix album, it is a lot more synth heavy, that’s for sure. In fact, The extra synths make the album more interesting overall. But as far as experimental albums come, this is not one.
Entertainment (8.3/10) The album starts off with a catchy electric piano riff with the first single. This sounds like a traditional phoenix track, with more synths and pianos. It’s very catchy and exciting.
The Real Thing (6/10) This track starts off the bat clunky. It’s all over the place with its sounds and lacks unity with the sounds created in the length given. The light gruntle vocal sample that is repeated throughout is distracting and unneeded. the song’s hook has good build up behind it, but as a whole, is pretty forgettable.
S.O.S. in Bel Air (9/10) Track 3 begins much better than where 2 left off. It jumps into a nice light beat with a smooth groove, leading to the hook that happens to be one of the best on the album. Thomas Mars’ vocals seem to be much more excited than in the previous track
Trying to be Cool (7.9 /10) A smooth beat and a coherent sound leaves this track to be more than just filler, it’s the good kind of filler. One with a decent hook and a creamy center. Like in a custard donut. This song is a custard donut
Bankrupt! (9.5 /10) Easily the most experimental of all the tracks on the LP, this track starts off slow, with layers of sounds that begin to form into what seems to be reminiscent of a pretty Sunday morning. Suddenly the 2nd half dives to introduce a darker sound of keyboards that come in and fade into the repetition of chime sounds on the keyboard. Mars’ vocals come in high pitched and he ends the song ambiently with a mix of acoustic guitar and dreamlike synth notes
Drakkar Noir (7.6 /10) This song feels like it could closely compare to the songs on the previous LP. With its straightforward guitar, and nice taps of the high hats and even with a touch of electric piano.
Chloroform (8/10) Chloroform is a jam that keeps a slow pace, almost leaving you at a daze. Never the less, its one of the most relaxing of all the tracks, giving off a strong vibe of the 80’s, really something you can take a cruise to.
Don’t (7.3/10) Contains loud sounds of electronica, with some fat hits of the drums. Mars sings lyrics of not worrying so much about the stresses of life and just letting go sometimes.
Bourgeois (8.3/10) Bourgeois is definitely a builder. It has a promising start, then it comes to a halt and becomes sort of disjointed in the middle. However, the track picks up the momentum almost as fast as it lost it. The chorus is exciting and really brings you to a high emotional level.
Oblique City (8.9 /10) Oblique is a poppy closer. One that is very upbeat compared to the tracks before it. Easily accessible, decent blends of drums, guitar and electric instruments make this closer one worth repeating.… Expand
Jun 2, 2013Decent record. Weaker than the previous album, but still strong enough for not being a total flatout. The minus point of this LP is that some tracks feel incredibly synthed, causing consistencies on those tracks. Highlight track: Drakkar Noir, S.O.S. in the Bel Air, Bourgeois… Collapse
|Lucinda Williams [Reissue] - Lucinda Williams|
|American Radical Patriot [Box Set] - Woody Guthrie|
|The Satanist - Behemoth|
|The Island Years [Box Set] - John Martyn|
|Places of Worship - Arve Henriksen|
|The Finer Things - The State Champs|
|In Utero [20th Anniversary Edition] - Nirvana|
|Spaces - Nils Frahm|
|St. Vincent - St. Vincent|
|No Depression [Legacy Edition] - Uncle Tupelo|
|High Land, Hard Rain [30th Anniversary Edition] - Aztec Camera|
|Moondance [Deluxe Edition] - Van Morrison|
|Bottle Rockets/The Brooklyn Side [Reissue] - The Bottle Rockets|
|12 Stories - Brandy Clark|
|There's a Dream I've Been Saving: 1966-1971 - Lee Hazlewood|
|Memorial - Russian Circles|
|Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978 - Various Artists|
|The River & the Thread - Rosanne Cash|
|Benji - Sun Kil Moon|
|Virgins - Tim Hecker|