Barking - Underworld
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Generally favorable reviews - based on 18 Critics What's this?

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Generally favorable reviews- based on 5 Ratings

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  • Summary: The British electronic duo return with an album featuring production from such names as Appleblim, Dubfire, Paul van Dyk, and High Contrast.
Score distribution:
  1. Positive: 9 out of 18
  2. Negative: 0 out of 18
  1. Jan 11, 2011
    Eight satisfying songs of rhythm and groove later, Underworld pulls a fast one, yanking the cord with album finale "Louisiana," which features beautiful keys, languid vocals and a gentle, time-keeping beat that lulls listeners into the blissful ether.
  2. 80
    Thirty years into their collaboration, Underworld's Rick Smith and Karl Hyde continue to sit at the forefront of dance music innovation. Barking is just further proof that Underworld isn't going anywhere.
  3. 76
    Where Underworld was once a dark foil to what was generally a culture of peace, love and hedonism, in these grim times, Barking is a relatively upper's affair, and something of a techno's-greatest-bits.
  4. The duo have remained one of the few constants in UK dance music. [Oct 2010, p.120]
  5. While each track sounds different to the one that preceded it, they all manage to fit together as a coherent whole. Barking is still a credible effort and a pleasant listen, but it is also unremarkable and, had it been released by artists whose fame didn't precede them, it probably would not have made any waves.
  6. So Barking stays the course, with the added prospect of a fitter, happier Underworld on the horizon. It's about time.
  7. This time Karl Hyde and Rick Smith team up with a revolving cast of dance producers (Appleblim, Al Tourettes, High Contrast), hoping one of the many approaches to rock-meets-techno will again produce a bankable hit. Surprise! That doesn't happen.

See all 18 Critic Reviews

Score distribution:
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  2. Mixed: 0 out of
  3. Negative: 0 out of