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- Summary: The live album features Reed, for the first time in 30 years, singing songs from "Berlin" at St. Ann's Warehouse in Brooklyn, New York over five nights in December 2006.
- Record Label: Matador
- Genre(s): Rock, Live
- More Details and Credits »
Score distribution:
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Positive: 9 out of 15
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Mixed: 6 out of 15
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Negative: 0 out of 15
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This mature, nuanced performance of Berlin communicates the human tragedy of the story, leaving behind the chilliness of the studio and using the medium of the stage to its full dramatic advantage.
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Where Reed once ham-acted the part of cuckolded savage Jim on the original, he sings here with both detachment and fatherly compassion.
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What got lost in the record’s cacophonic crash was, again, what mattered--the songs--and in Berlin: Live, stripped of Reed and Ezrin’s overproduction, the bleakly radiant song cycle about doomed junkie love is allowed to flourish.
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This is about as musically adventurous as Lou ever got and those who think he could only toss off simplistic three-chord tunes are advised to listen closely. Berlin turned out to be a place well worth revisiting.
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Mauling the melodious arrangements of the Brooklyn Youth Chorus and accompanying orchestral pearls in addition to Steve Hunter, Berlin's original guitarist; Sharon Jones; and diaphanous-voiced Antony, Berlin: Live at St. Ann's Warehouse is a hazy descent into the sinuous perils of abuse, deviant sex, rage, and loss.
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Even though he’s become a much more expressive musician, the updated Berlin is no more powerful or gripping than the original commercial flop. It is, however, much more consumer-friendly.
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Berlin as it’s performed here just doesn’t sound harrowing anymore--it simply sounds like a concert where people are enjoying themselves and yelling “Loouuuu!” between songs.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Nov 26, 2011
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Jan 20, 2018
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