Metascore
54

Mixed or average reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 2 out of 14
  2. Negative: 2 out of 14
  1. the Donnas once rocked as if they were tanked to the gills but they now sound like they're playing with ferocious hangovers they just can't shake--and it's hard to have a good party if the threat of the morning after hangs over the whole affair.
  2. While superbly recorded and at times a hoot to crank (largely for the shameless rips of Kiss, Joan Jett and Def Leppard), Bitchin' is too light on hooks.
  3. Bitchin' offers little you haven't heard before--even if you haven't heard a Donnas record--but it should go well with a beer or six.
  4. Spin
    40
    The Donnas have never seemed less enthused; none of the 14 tracks contains a melody as catchy or a beat as pumping as those on "Spend the Night" or "Gold Medal." [Oct 2007, p.99]
  5. Only real problem is that the foursome tend to write the same songs over and over again, this time thinly veiled in arena- and hair-metal swagger, but still too similar structurally to sound like they've challenged themselves.
  6. The music is the same. As immediate and worthy as some of these songs are, the chugging guitars and oar-bank handclaps and background HEY!s don't sound like the work of a band that really likes this music and wishes it'd been around to make it at the time and probably deserved to be, the way the Donnas' old jailbait anthems could; they sound like bad one-liners.
  7. At times it's hilarious, especially the song openings, which evoke poodle-rock heroes in mock affection, but the tracks then go somewhere inconceivably cool, twisting, shimmering and generally rocking in drool-worthy style.
  8. The Donnas get the ball into the red zone from time to time on Bitchin', but they never really score.
  9. Alternative Press
    80
    What keeps Bitchin' from being more fun than Tommy Lee and Pamela Anderson's sex tape is Jay Ruston's production job. [Nov 2007, p.170]
  10. The entire album sounds like a half-hearted compromise between what the group was and what the group wants to become.
  11. Go on, drink whiskey from the bottle, see if I care. But when you’re done, don’t jump around like gracelessly ageing Bratz dolls playing late-era Kiss and think you’re a blistering she-Crue.
  12. Q Magazine
    60
    Especially on the Thin Lizzy-esque 'What Do I Have To Do?' and the irresistible 'Wasted,' they sparkle. At other times, though--the unloveable 'Here For The Party' and childish 'Girl Talk'--these four 28-year-olds still think they're in high school. [Nov 2007, p.137]
  13. Uncut
    60
    It's business as usual. [Nov 2007, p.98]
  14. Like so many ‘80s rockers of old, from Y&T to Lita Ford, the Donnas’ attempt at an accessible sound has come at the expense of what made them so appealing in the first place.
User Score
7.8

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 12 out of 16
  2. Negative: 1 out of 16
  1. Jul 5, 2021
    9
    After lightening up a bit on Gold Medal, this one decides to go heavier. This is probably the closest the band ever got to a straight-upAfter lightening up a bit on Gold Medal, this one decides to go heavier. This is probably the closest the band ever got to a straight-up heavy metal album. It opens with something that invokes Black Sabbath; a mean, stomping riff over a siren that reminds me of War Pigs and Iron Man. Then it switches gears to overdrive and bashes your face in. After that, we've got tracks that sound like they purposely wanted to pay tribute to Joan Jett, Billy Idol, and late-80's ZZ Top and Judas Priest. There is more than one track that reminds me of the album "Turbo". If the previous album was about happy relationships, this one is about breaking up and reveling in freedom, returning to the party scene and letting off steam. Unfortunately, for me as a listener, this is the last full-length album from the band. But how much longer could you go on writing songs about boys and partying without it just not working anymore? I like the attitude here, but the party couldn't last forever. Isn't that what happens to most people once we near our thirties as the group was doing when they broke up? Very few of us can live like Lemmy and survive to 70, and writing songs about it forever has to get challenging, especially when you've lost label backing and your drummer gets injured. The biz got tougher and this band was one of the casualties. But what a way to go out: big riffs, a DIY album label, and raucous thunder. Part of me wishes they'd come back and milk a cougar/milf angle, but I know they've moved on to mature, normal day jobs like the rest of us. If they were ever to return though, you can bet I'll have my ears open. Full Review »
  2. RossN.
    Oct 24, 2007
    4
    I'm disappointed in this album. To me it sounds like the band is uncomfortable with their new guise and the material. I actually thought I'm disappointed in this album. To me it sounds like the band is uncomfortable with their new guise and the material. I actually thought Gold Medal featured some of the best songs the Donna's have recorded and was possibly their best CD, along with their first and Get Skintight. This one seems laboured and not fun. They make the moves and play the part of 80's rockers but there just isn't any heart in this music. Full Review »
  3. MikeD
    Oct 22, 2007
    3
    This record is a disgrace. The Donnas were always a band you could count on to make a honest, straightforward rock album that worshiped at This record is a disgrace. The Donnas were always a band you could count on to make a honest, straightforward rock album that worshiped at the altar of Kiss, AC/DC and Motley Crue. The biggest inspiration for this nonsense seems to be Winger and Warrant and they should've never inspired anyone. it's nothing but slick production, big guitars and no songs. What's all the more sad about it is how they seemed to be maturing as a band so well on the last record (Gold Medal). If you think Vixen rocks, you'll love "Bitchin". Full Review »