Black Gives Way To Blue - Alice in Chains
Metascore
69 out of 100

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 9 out of 15
  2. Negative: 0 out of 15
  1. While they'll never be mistaken for a feel-good band, there is a palpable sense of relief that they get to play together again as a band, and what's remarkable is that they still sound like themselves, capturing that weird murk halfway between '80s metal and '90s northwestern sludge, reminding us that we were missing something in their absence.
  2. A stunning return. [Oct 2009, p.116]
  3. It is a legitimately excellent record that lives up to (and sometimes even exceeds) the song writing standards set by the band on "Dirt" or "Jar of Flies."
  4. Some of the songs even stack up against the band's original catalogue.
  5. DuVall, along with the rest of Alice In Chains, has turned a questionable career move into a moving tribute--and a shockingly decent album.
  6. When AiC hit home though, as they often do, Black Gives Way To Blue becomes the quiet triumph it set out to be.
  7. The band's classic, downtuned stomp could easily pass for an unreleased track from the "Dirt" era and is sure to keep longtime fans feeling pleasantly dystopic.
  8. While there are a few lulls, none are glaringly offensive, and the band builds up so much good will with the stronger material that it's easy to surrender again to these Chains.
  9. At heart, this is a back-to-basics album a la "Death Magnetic" or R.E.M.'s "Accelerate;" not essential, but definitely worth a look.
  10. 60
    A decent return, Alice mostly impresses despite the limiting permutations of their angst. [Nov 2009, p.94]
  11. 60
    Now regrouped by leader Jerry Cantrell, the bands' sound is still full of menace, melody and doom, chock full of Cantrell's trademark heavy riffs. [Dec 2009, p. 85]
  12. What Black lacks are great tunes and a sense of can't-look-away drama.
  13. 50
    As with latter efforts Jar of Flies and Alice in Chains, Black's most tender moments ('Private Hell') are its most essential. And while William DuVall is a serviceable Staley impressionist, this comeback would register with more purpose had guitarist Jerry Cantrell assumed the vocal lead.
  14. There's still something oddly admirable about Alice In Chains' stubborn refusal to change.
  15. ew singer William DuVall spends half his time replicating Staley's nasal misanthropy and the other half buried by Cantrell's vocals.
User Score

Universal acclaim- based on 93 Ratings

User score distribution:
  1. Positive: 53 out of 55
  2. Negative: 0 out of 55
  1. Incredible return by one of the kings of grunge music. The 14 year layoff was worth the wait with this original bone jarring album that will hit you right in the gut. The late rock legend Layne staley is replaced with William Duvall who brings his own edge to the band. Cantrell is back with his intense sincere solos and rhythm guitar. Cantrell sings as much in this album as any Alice in Chains album as Duvall is eased into the role of the new lead singer for fans. Highlights include private hell, acid bubble, and a looking in view. The feel of the band has evolved from the heroin addiction they faced in the 90's to a more developed controlled sound that unleashes its fiery on you like a tornado. Full Review »
  2. You can't judge the Jerry. He wanna make some music and sell some records. He used the "Alice in Chains" name for selling records. OK, I know, it's not Alice in Chains anymore, but that doesn't mean this album is sh*t. It's a very good album, out of my expectations.. Full Review »
  3. Surprisingly for some, this is probably the best AIC album. Every track has that special touch which makes every bridge or chorus irresistible, even for the non-fan, and positively not turning it into a cheap work in exchange. Jerry Cantrell shows again - and better than ever - why he's the most gifted songwriter and guitar hero from that rainy, unbelievable hometown. William DuVall is a blessing from the heavens and his strong presence in each required situation grants him nothing but admiration. There's no such "roller coaster" feeling as you travel through the record, what I believe was some kind of "regular irregularity" present in the previous releases. Full Review »