User Score
8.7

Universal acclaim- based on 26 Ratings

User score distribution:
  1. Positive: 24 out of 26
  2. Mixed: 0 out of 26
  3. Negative: 2 out of 26

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  1. kit
    Nov 24, 2005
    10
    quite possibly the best album of all time
  2. lennys
    May 10, 2005
    10
    best blend of rock for thee ages... and such
  3. BenT
    Jan 22, 2005
    10
    pedal to the metal, dark, layered rock that vairies from the desolate brilliance of Awake to the viceral progression of Whatever Happened...album of 2001
  4. SaskiaV
    Jul 15, 2004
    10
    A (Dutch) critic once described a (Dutch) author as a 'soul without a skin'. That's exactly what I think of this album: it's sensitive, moving and honest.
  5. FabioC.
    Sep 5, 2002
    8
    it´s the album the gallagher brothers are dreaming to make since a long time. this music is dirty, full of angst and rock in its pure clothes. sure as the sun has a bass loop that worths the entire cd. perfect to walk in an unknown city.
  6. MaiT.
    Jun 17, 2002
    10
    Definitely one of my favorites. So they show their influences, we all have them.
  7. [Anonymous]
    Jun 18, 2001
    10
    exactly what i needed. this is an album full of emotion, beauty, truth and honesty. regardless if they sound like another band. everyone sounds like another band. this is a great record for anyone with appreciation for good music.
  8. ChampB.
    Jun 9, 2001
    7
    This disc is enjoyable listening but it is not as good as seeing them live. I have seen them a few times and they put on an amazing show. If they are coming to your town definetly check them out.
Metascore
72

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 16
  2. Negative: 1 out of 16
  1. They're merely using Psychocandy as a workaday aesthetic strategy and, despite loads of melodrama, they never sound pretentious about it either.
  2. 70
    A flawless blend of acoustic-turns-into-fuzz guitar work and backbeat rhythms that create the aural equivalent of fog.
  3. This self-produced major-label debut boldly plunders a reverb-and-white noise course previously trampled underfoot by long-gone British bands of the late '80s and early '90s (the Jesus & Mary Chain, the Verve, Ride, the Stone Roses, etc.).