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Bloom Forever Image
Metascore
75

Generally favorable reviews - based on 11 Critic Reviews What's this?

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  • Summary: The debut full-length solo release for the ex-S.C.U.M. frontman chronicles his life between 2012 and 2015 with songs influenced by his marriage to Peaches Geldof, the birth of their children, and her sudden death at 25.
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Score distribution:
  1. Positive: 8 out of 11
  2. Negative: 0 out of 11
  1. May 5, 2016
    80
    The album's charm is that it manages to deal with first-hand melancholy so eloquently and so affectingly without centering itself entirely around it. Bloom Forever, you can't help but feel, is Cohen's second record that will stick around for a very long time.
  2. Q Magazine
    Jun 6, 2016
    80
    He resurfaes as a country-tinged singer-songwriter of poise and substance. [#361, p.108]
  3. May 5, 2016
    80
    It’s hard not to listen to Country Home and its lyrics “I will hold on to / The part of me that is in love with you” without feeling like you’ve read a diary entry you shouldn’t have. Elsewhere, however, the album is surprisingly sunny: these are songs for festival picnic blankets as well as for holding on to your loved ones.
  4. May 9, 2016
    80
    Phased bottleneck guitars, Rhodes pianos, basses and synths lay a solid foundation, each instrument perfectly balanced with the other, though keeping a distinguishable part in the harmony, giving the songs a layered and complex structure never overdone or taken too far as Cohen croons on top.
  5. 80
    By the culmination of these nine songs, it’s hard to not be left with the impression that Bloom Forever is an album that Thomas Cohen really needed to make, and make public.
  6. May 16, 2016
    79
    Cohen will never be able to escape the context surrounding Bloom Forever, but he refuses to let himself be defined by tragedy. His bold, distinctive debut album stands a million miles from the celebrity circus, and will endure far longer than mawkish titillation.
  7. 60
    The process of recovery shifts through numbness, melancholy and tentative hope in an admirably straightforward, touching manner that suggests Cohen’s previous tenure in edgy art-rockers S.C.U.M. was another world entirely.

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