Bon Iver - Bon Iver
Bon Iver Image
  • Summary: The Wisconsin-based indie folk band, fronted by singer-songwriter Justin Vernon, follows up its highly acclaimed For Emma, Forever Ago with a new album.
  • Record Label: Jagjaguwar
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Alternative Singer/Songwriter, Indie Folk
  • More Details and Credits »
Score distribution:
  1. Positive: 40 out of 43
  2. Negative: 0 out of 43
  1. Jun 24, 2011
    100
    he 10 unconventionally structured songs are less shaky-tent-in-a-snowstorm and more ambitious-skyscraper-blasting-into-the sky.
  2. Bon Iver, Bon Iver is Vernon's triumphant re-emergence from those lonely woods back into the world.
  3. Jun 21, 2011
    60
    Despite its hype, its expectations, its blown up sound, and its many production flourishes, Bon Iver is nothing more than a solid placeholder album.

See all 43 Critic Reviews

Score distribution:
  1. Positive: 36 out of 49
  2. Negative: 5 out of 49
  1. It's an album that requires a time and a place. It isn't universal enough to be replayed at any given moment, but when it's right, it's the perfect choice. The self-titled album is more than likely what Justin Vernon wanted to do originally with his first album, For Emma, Forever Ago. He considered those songs demos until they exploded on the internet and on various television shows. There are some strong songs on this album, even if sometimes they feel like they aren't going anywhere. And sometimes they don't. Expand
    • 2 of 2 users said yes
  2. 5
    My bottom line: I can't back Vernon's Kenny G moment. And Minnesota - WI is the only really tasty track on the disc. Two things that are similar between this and Emma (which is my album of 2008) - There are no crazy acrobatic melodies, no avant-garde chords, it's all kept pretty nice and simple. The difference between them is that Emma sort of floats above your head like a sepia-tone dream, while Bon Iver sinks into an icy lake of crystalline-timbre instrumentation. For me, Bon Iver's tasty, tangible creativity couldn't keep up with his inevitable sonic shift. Three things: Most of those critics have no idea what they're talking about, chasing some x-factor around the grooves in order to back the guy that made us cry with Emma. I love Minnesota - WI. It's the most invitingly textured track. And it avoids the miserably executed pastel horns. If one thing could turn the crank a little harder, it would be a bit of extra bass when the verse comes back in with the crunchy synth. Beth/Rest - In a popular music season where 70s/80s throwback grooves seem to be finding all of my favourite artists (mostly to great effect), this one stands alone as the most audacious and the most embarrassingly terrible. Don't try to pin naivete on me - the e. piano is only the cherry on top. A tip, Justin - when your fingers touch a piano, they invoke the most cliched of cliches. The sus releases, in particular, are enough to make me cringe. Horns in the wrong places, pedal steel crying for the wrong reasons... So, you took a big risk and it didn't work out for me. Better than being a banal fool. I will wait three more years if I have to to get your next record. Expand
    • 7 of 12 users said yes
  3. I don't get it. This is getting great reviews so i tried and tried to 'get into it'. Maybe i am missing something. To me its awful. Not even one redeeming quality. If i was to get one track from it, i would be happy, but its all the same. Useless. I cant even give it a 1. Delete, delete, delete. Expand
    • 1 of 5 users said yes

See all 49 User Reviews

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