Bon Iver Image

Universal acclaim - based on 43 Critics What's this?

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Universal acclaim- based on 302 Ratings

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  • Summary: The Wisconsin-based indie folk band, fronted by singer-songwriter Justin Vernon, follows up its highly acclaimed For Emma, Forever Ago with a new album.
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  • Record Label: Jagjaguwar
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Alternative Singer/Songwriter, Indie Folk
  • More Details and Credits »

Top Track

Some way, baby, it's part of me, apart from me You're laying waste to Halloween You fucked it friend, it's on its head, it struck the street You're... See the rest of the song lyrics
Score distribution:
  1. Positive: 40 out of 43
  2. Negative: 0 out of 43
  1. Jun 24, 2011
    he 10 unconventionally structured songs are less shaky-tent-in-a-snowstorm and more ambitious-skyscraper-blasting-into-the sky.
  2. Jun 20, 2011
    It's a rare thing for an album to have such a strong sense of what it wants to be. Bon Iver is about flow, from one scene and arrangement and song and memory and word into the next-- each distinct but connected-- all leading to "Beth/Rest".
  3. Aug 3, 2011
    Akin to For Emma, Bon Iver breaks the listener's heart. And to experience an album (an oft-dreaded sophomore album, no less) that evokes such deep emotion is a welcomed pain.
  4. Q Magazine
    Jun 7, 2011
    The Wisconsin outsider stretches horizons on mesmeric second album. [July 2011, p. 108]
  5. Jun 23, 2011
    Few albums are truly perfect though, and Bon Iver is not without its flaw.
  6. Jun 20, 2011
    This is a brave and emboldening record in a frightened world.
  7. May 25, 2011
    Like Radiohead and Panda Bear before Bon Iver this year, it's not a problem that Vernon hasn't created music in the same style of the last successful album: the problem is that he isn't able to make that creative jump to a new aesthetic, or direction, successfully at all.

See all 43 Critic Reviews

Score distribution:
  1. Positive: 52 out of 64
  2. Negative: 3 out of 64
  1. Jun 21, 2011
    Occasionally, an album comes along and grows into the soundtrack of a specific time and place. Summer, autumn, winter or spring. A particularOccasionally, an album comes along and grows into the soundtrack of a specific time and place. Summer, autumn, winter or spring. A particular road trip, adventure or vacation. Love, hate, happiness or sadness. They become the touchstone triggers of our nostalgia, leading our memories down the paths of our past and present. Those albums we could consider "great."

    But what do you classify something better than that? For that you'll have to ask Justin Vernon. Because Bon Iver's long-awaited sophomore album isn't just 10 songs with atmosphere, it's a vacation in the stratosphere. It's not just a step forward, but a mad dash on the back of a Scud missile. This album isn't just good, it's great. And it's as close to perfection as you can get before being burned.

    It's been a busy and fruitful three years for Vernon. He struck critical gold with 2008's "For Emma, Forever Ago," a sparse and haunting LP recorded in a freezing backwoods cabin following a breakup with someone presumably named Emma. The album's romantic backstory, coupled with its innovative minimalism, made it incredibly popular throughout indie circles, eventually garnering low spots on many "best of the 2000s" lists.

    If "Emma" was the bitter cold of a blizzard, follow-up EP "Blood Bank" captured the warmth of a cabin fire. In many ways "Blood Bank" was an artistic advancement. Using quicker, shorter steps, it covered much of the same ground - without excess baggage. Then Vernon spent three weeks with Kanye West working on 10 songs that would go toward West's magnum opus, "My Beautiful Dark Twisted Fantasy." Bon Iver's "Woods" would even be the main sample for that album's epic closer, "Lost in the World."

    Each song on "Bon Iver" crafts an ambient atmosphere both individualistic and homogeneous to the album's greater arc. Footprints of "Blood Bank" and "Emma" can be found here on "Michicant" and "Hinnom, TX." But "Bon Iver" comes with a noticeable influence from the time Vernon spent collaborating with Kanye.

    The minimal sparseness that endeared critics to "Emma" is now replaced with synths, drum rolls, guitars and horns. Songs like "Perth" and "Towers" are beautifully convoluted in their arrangement. Yet as the instrumentation is piled on, it never becomes overwhelming. There is a Spector-esque wall of sound on "Bon Iver," but it is held in check by tasteful moderation.

    Lead single "Calgary" is the album's pre-eminent exposition of electric guitars and drums. Another example of Vernon's vocal talent, it's the most fitting homage to the western Canadian province since Gordon Lightfoot's "Alberta Bound."

    And then there's "Beth/Rest," the album's most enjoyable anomaly. A sprawling masterpiece overwhelmingly influenced by "The Way It Is"-era Bruce Hornsby, "Beth/Rest" is the album's crescendo. The last hurrah of the journey started on "Perth" and finished 40 all-too-quick minutes later.

    "Beth/Rest" goes beyond the album to symbolize Vernon himself. For many of his fans, channeling Bruce Hornsby seems an ironic gesture - a bow to the subset of indie culture that bastardizes nostalgia they never experienced with a sarcasm that degrades its intrinsic value. But there is nothing ironic about Bon Iver or Justin Vernon. From "Mandolin Rain"-inspired songs to performing Bonnie Raitt's "I Can't Make You Love Me" on prime time television, Vernon has proven himself the antithesis of an ironist. He might be the darling of indie culture, but he's not wearing his nostalgia because it's funny.

    In an era dictated by the amount of glitter and mascara on a performer's face, or their ability to push envelopes toward commercial dividends, "Bon Iver" is not an album that 2011 deserves. But it's certainly one that our culture of reboots and copycats needs. It's not just a great album. It's an album that defines the idea of music's potential, and highlights that potential's limitlessness. It shows us what a generation weened on the culture of yore can still achieve on its own accord.

    "Bon Iver" splits the difference between restraint and excess, and in the process finds a healthy ambition often lacking in so many sophomore albums. It takes what was and uses it to move toward what could be. It is the musical version of what James Earl Jones meant in "Field of Dreams" when he said baseball "reminds of us of all that once was good and could be again." In the land of Madonna copycats and misplaced sax solos, there is finally an album giving us hope that the heart of musical originality beats on.
  2. Dec 21, 2011
    amazing album. The self-titled album is more than likely what Justin Vernon wanted to do originally with his first album, For Emma, Foreveramazing album. The self-titled album is more than likely what Justin Vernon wanted to do originally with his first album, For Emma, Forever Ago. He considered those songs demos until they exploded on the internet and on various television shows +1 perfect! Expand
  3. Sep 22, 2015
    This review contains spoilers, click expand to view. It is extremely difficult to locate the direction in which Justin Vernon went in completing "Bon Iver". "For Emma, Forever Ago" was a brilliant album full of intimate lyrics with a very autobiographical approach and it is undoubtedly one of the greatest releases of the 21st century. However, even upon first listen to the epic opener, "Perth", it is clear that the album appears more mature in its own right; the music has a more consistent flow and the instrumentation appears to be increased in variety. It can be argued that there is not that intimacy that one may find on "For Emma...", but it is difficult to ignore the earnest voice and lyrics of Justin Vernon. This is perfectly depicted in "Holocene", as Vernon's smooth and virtually faultless falsetto break cleanly into a clean and meditative acoustic guitar tune; his hauntingly beautiful words are a beautiful tribute to the Bon Iver that made "For Emma..." so spectacularly brilliant, yet carry a distinct tone of abandonment and yearning for love. "Towers" continues the joyride with an upbeat musical riff complimented beautifully by a saxophone and pedal slide in the background courtesy of Colin Stetson and Greg Leisz; it is almost too short of a song to truly grasp what Vernon is attempting to write, but provides a seamless interlude to "Michicant". Indeed, within the meat of this album beats a heart of poetry, of loneliness, of isolation, of love, and of rebirth. All of this is compiled into a final piece that epitomizes the world in which the modern man (and woman) lives. At just over five minutes in length, "Beth/Rest" is a startlingly beautiful and introspective masterpiece that blends 80s synths with smooth saxophone inputs and electric guitars that pay heavy tribute to Peter Gabrielle and the Post-rock era. Mixed reviews have lingered with this song, as some have criticized Vernon's auto-tuned voice and the shift in musical qualities that define the piece. However, such commentary is reduced to insignificance when the first icy notes from Vernon's synth hammer into an utter sea of brilliance. "Beth/Rest" grips the listener and invites him or her on a contemporary tour into the mind of Justin Vernon; it offers a heart-wrenching tour-de-force that reassures us, comforts us, and isolates us into the brilliance of Bon Iver. "Bon Iver" is a definitive album concerning what a masterpiece should sound like. Give this one a listen, you won't regret it. Expand
  4. Jul 26, 2011
    Absolutely stunning album. While listening to this second full length album from Bon Iver, there is a sense of space and atmosphere that isAbsolutely stunning album. While listening to this second full length album from Bon Iver, there is a sense of space and atmosphere that is very difficult to explain. This sense can only be felt from listening to the entire album; start to finish. Overall, it is an unreal album that needs to be listened! 9/10 Expand
  5. Sep 9, 2012
    An absolute classic which only just falls short of being amongst the same pedigree of his earlier work.
  6. Nov 9, 2011
    Although this record doesn't have the same magic the For Emma.. one thing that has to be acknowledged is Bon Iver's refusal to dish out theAlthough this record doesn't have the same magic the For Emma.. one thing that has to be acknowledged is Bon Iver's refusal to dish out the same again. The production feels a bit soulless and it just lacks the spirit that was present in its predecessor. Overall it's still a very good record but the first half of it is much stronger than the second. It really fades off into limbo a bit towards the end. It will be very interesting to see where this band goes next. Expand
  7. Jun 21, 2011
    Justin! I want to hear your voice reverb over and over. I suppose I'll be happy, as long as, people stop citing Vernon as a great songwriterJustin! I want to hear your voice reverb over and over. I suppose I'll be happy, as long as, people stop citing Vernon as a great songwriter (comparisons to Dylan??) In a year or two no one will probably mention this album or even be listening to it - until the next indie masterpiece! Expand

See all 64 User Reviews

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