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Carried to Dust isn't just one of Calexico's most expansive albums, it's also their most balanced, channeling their experience and potential into a subtly dramatic, chiaroscuro tour de force.
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It’s tempting to think of Carried to Dust as a companion piece to "Feast of Wire."...And, like that distinguished predecessor, this one is a beauty from start to finish.
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Ultimately, this is the type of record this band is suited to making, and it richly rewards repeat listening--details and melodies that seem buried or understated eventually come to fore, slowly revealed in a mixture of organic warmth, welcome variety, and subtle complexity.
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It's a great return to form from the group, and easily their best full length since they've started incorporating vocals on nearly every song.
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While most groups lasting over 10 years tend to run on artistic fumes, Joey Burns and John Convertino gush with unbridled creative enthusiasm here.
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Carried To Dust is definitely Calexico’s best-sounding record: Each voice and instrument has its place, wheeling around Convertino’s graceful drumming like dancers going around the maypole.
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Carried to Dust represents a refreshing return to eccentricity.
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Calexico's dusty vistas make a welcome comeback.
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Calexico are back, but this time they’re travelling all over the map. Carried to Dust is a quietly persuasive record.
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Special guest vocalists, plus a turn at bat from longtime member Jacob Valenzuela on 'Inspiracion,' add intriguing textures to the 15-song set.
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It seems a return to first principles has done Calexico good, and returned their music to a raw emotional state.
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It's a gorgeous, low-key album, full of musical nuance that unfolds with slow grace and exerts an irresistible pull back to the start after the last note has sounded.
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With some diversions, things stay pretty riveting across the whole album.
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The group never abandoned its orquestra live, and that may be why this return to form sounds so welcoming.
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Alternative PressCalexico is back in the desert with Carried To Dust. Which is not to say it feels like a retreat, Dust is far too confident. [Oct 2008, p.152]
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Carried to Dust feels like a precise parsing of Calexico's best elements, a lingering, understated beauty.
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The band bring the tang of that elsewhere pop back to Carried to Dust, however, planting big-hook sensibility and the willingness to evolve within its Southwestern mood pieces.
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Carried To Dust finds strength in eccentricity and simple melodies.
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While the return to straighter Old West soundscapes is welcome after Garden Ruin, Carried to Dust is really just another solid album from a band that’s made a career out of mining the genres of the Southwest.
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Its occasional awkwardness and complex narrative arc may deter true devotion. However, there are still many miraculous highpoints within, which should give Joey Burns and John Convertino a sturdier and braver platform for Calexico to step-up from next time around.
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Carried To Dust's songs travel a trail that seems carved out of ancient echoes. [Sep 2008, p.114]
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Carried to Dust is a fine entry Calexico’s discography that both evokes a much-loved sound from the past and yet looks at the sun fading into the west, turns its horse towards the dying light, and carries on into the future.
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From the way gently twanging guitar builds to toxic fuzz on 'Man Made Lake' to the whistling in 'El Gatillo' that nails the stranger-in-town vibe, the band’s best stories are in their music.
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Sometimes Calexico is a Southwestern Dire Straits, with Joey Burns whispering over loping, subdued guitar vamps as John Convertino plays his drums with brushes. Or it’s a band looking toward Mexico...Or it’s a spaghetti-western soundtrack orchestra with guitar reverb....At its best, in songs like 'Victor Jara’s Hands,' it’s all of them at once.
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Under The RadarA record that finds Calexico firmly in their element and back on the road less traveled. [Fall 2008, p.80]
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Their music can sound both wonderfully evocative or occasionally faux--as authentic as a Mexican restaurant located in Milton Keynes--and lacks a dominant vocal like former bandmate Howe Gelb, of Giant Sand.
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Q MagazineMariachi horns and guitar twang still form the backbone of a striking return to what they do best. [Oct 2008, p.141]
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MojoWith 15 tracks, there a good deal to like. [Oct 2008, p.112]
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Nothing terribly new or unexpected to report, just a more direct way of expressing not so adventurous ideas.
User score distribution:
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Positive: 16 out of 17
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Mixed: 0 out of 17
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Negative: 1 out of 17
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Jun 11, 2011