The brilliance of Chant Darling is that while it peddles a brand of indie pop that comes off chewed over and spat out a million times over, there is nothing tiring about it. That’s because it’s neither precious nor gimmicky nor remotely self-conscious. And it’s just so beautiful!
There is enough in the moments which don’t quite astound to suggest that Lawrence Arabia is on the cusp of making a real classic of a record, until that time arrives, go check out ‘Beautiful Young Crew’ and drool at the prospect of an album which tops it not once but twice.
Lawrence Arabia's narrator persona, with one foot sternly in the past and the other staggering, trying desperately to get away, loiters before it settles. This makes Chant Darling a charming listen whose dolorous sentiment recurs like a welcome motif, each song taking time to reveal its full charm.
His naked candor drives a stake through your heart, the emotional payoff on an equivocal and conflicted, yet excellent record, and one that augurs even greater things to come. [Winter 2010, p.63]
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