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Thanks to singer Jim Adkins's bottomless well of high-flying choruses (not to mention the general shittiness of current affairs), the formula still delivers.
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Jimmy Eat World go to great lengths to recapture the anthemic thrills of "Clarity"--and give or take a few bouts of brooding cynicism, they’ve succeeded.
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After nearly seven years, to churn out an album with three highlights and eight overblown odes (among them, 'Here It Goes,' 'Carry You,' and the forced empowerment of the title track) is disappointing.
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Chase This Light is not a genre-defying album for the history books–-it just gives the impression that Jimmy Eat World are still capable of producing one.
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Chase This Light is packed with huge pop moments, galloping off with the exhilarating 'Big Casino' and swiftly following it with the towering 'Carry You,' songs seemingly custom made for action-packed pick-up truck commercials.
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But most of all, these songs really blow, man. Way to top-load it with three half-decent tracks at the start.
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UncutHooking up with Butch Vig, evidently--and trying for a heavier sound, It's a fair effort, certainly, but an unconvincing strategy. [Dec 2007, p.98]
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Jimmy Eat World’s decidedly more adult Chase This Light finds the Mesa, Ariz., foursome bartering their former angst and fitful ennui for sophisticated, toothsome power pop.
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Nice to listen to and vaguely uplifting, but ultimately empty on the inside.
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Alternative PressThe band takes a few sucessful detours on Chase This Light, but by and large, it's more of the same. [Nov 2007, p.172]
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With Butch Vig producing, there is an extra coat of studio sheen on anthemic rockers ('Big Casino'), finger-snapping dance-y numbers ('Always Be') and such borderline Fall Out Boy-sounding political shout-outs as 'Electable (Give It Up).'
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Entertainment WeeklyChase This Light is what emo should sound like: big emotions, sure, but also big hooks, big stakes. And big rewards. [19 Oct 2007, p.126]
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Chase This Light is also a return to form for the band in terms of their ingratiating power-pop.
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BlenderTheir sixth album sticks close to what they know best. [Nov 2007, p.153]
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Nothing on Chase This Light is bad, relatively speaking; Jimmy Eat World has always sprinkled cheese on its albums, just never this generously.
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On their drony 2004 album, "Futures," Jimmy Eat World seemed deflated, as if frontman Jim Adkins was in need of one of his own “it just takes some time” musical pep talks. That’s not the case with the uneven Chase This Light, which is instead afflicted with the musical gigantism all too common in mainstream rock.
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The hooks are less immediate as well. Songs like 'Carry You' and 'Here it Goes' retain the compact force of past band gems, but too much of Chase is afflicted with a degenerate case of sameness.
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Overall, Chase This Light takes the pop rock sound of their latest albums and perfects the style, complemented with Butch Vig’s flawless production skills. Again, the choruses sound bigger and catchier than ever.
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Right now, it's an album I'm unlikely to play all that much now that I'm done reviewing it.
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Not amazing, but steady and fun all the same.
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Chase This Light's would-be killer singles make for enjoyable listening, but taken as a whole it feels uninspired for a band known for its ambition.
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Having distanced themselves from the E-word long before it became fashionable to do so, Chase This Light sees them outgrow it.
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More disappointing than that, though, is the fact that there is hardly anything groundbreaking to be found in Chase This Light’s 40 minutes, which is less than we’ve come to expect from this band.
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Q MagazineIt's business as usual rather than a breakthrough. [Nov 2007, p.138]
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SpinThe record is crisply produced, with jittery, epic songs that just happen to be about getting older and maybe a little more cynical. [Nov 2007, p.125]
User score distribution:
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Positive: 29 out of 41
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Mixed: 7 out of 41
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Negative: 5 out of 41
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AaronWJan 12, 2008
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RickBJan 7, 2008
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ChrisG.Dec 6, 2007