Chavez Ravine - Ry Cooder
Metascore
86 out of 100

Universal acclaim - based on 18 Critics

Critic score distribution:
  1. Positive: 18 out of 18
  2. Mixed: 0 out of 18
  3. Negative: 0 out of 18
  1. Chávez Ravine works because, ultimately, it isn't a history lesson or museum piece. It's the sound of musicians, now on the periphery, playing and singing the music they love.
  2. A ghostly meditation on the culture of forgetting. [8 Jul 2005, p.68]
  3. Chavez Ravine is easily the most ambitious thing in Cooder's catalog, and it just may be the grand opus of his career.
  4. It hits very close to musical documentary with very few of the abstraction perils that usually haunt artists in converting ideas to their medium.
  5. What makes the album so amazing is its ability to balance poignancy and fun.
  6. A masterwork of insight and delight.
  7. Cooder manages to make his work both cynical and idealistic. But most importantly, it's authentic. [12 Jun 2005]
  8. 80
    Conjunto, corrido and jazz emerge from and mingle with R&B and pop as the band follow the story from innocent beginnings to the tragic, bitter end. [Jul 2005, p.98]
  9. 80
    With Chavez Ravine he has performed another ethnomusicological miracle, opening a can of worms while drawing us deep into the musical heart of a lost community. [Jul 2005, p.90]
  10. A self-contained gem. [Jul 2005, p.112]
  11. It's a very clever album, and at times easier to admire than to simply enjoy because there is so much going on.
  12. Chávez Ravine never romanticizes its subject. It simply makes it seem unnatural that any place where people lived, dreamed, died, and formed a neighborhood could be made to disappear.
  13. Its seriousness never makes it earthbound. Mr. Cooder brings to it all he has learned from a career delving into odd corners of American and world music. [13 Jun 2005]
  14. Though it might not be as rewarding a listening experience as Cooder's Cuban albums, this is still a set that demands repeated hearing, and I doubt there'll be another record as lovingly crafted as this all year.
  15. Chávez Ravine suffers from an uneven flow due to the varying quality of the material.
  16. Chavez Ravine drags occasionally, the result of too many serious narratives, but the stories that do work are jaw-droppingly simple and painfully familiar.
  17. Cooder has delivered a remarkable song cycle that tells the story -- a sort of brilliant and flavorful film-noir history lesson that samples the past freely.
  18. The result is an CD that sounds like it's aspiring to be something far more ambitious: a DVD, a theatrical production, even a time machine.
User Score

Universal acclaim- based on 33 Ratings

User score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19
  1. BillW
    10
    Cooder does not disappoint.....great music and a great story.....one of the best "unknown" guitar composer and picker going
  2. Hein
    10
    Masterpiece great concept-album!
  3. DanielG
    4
    I'm interested to know what this sudden interest in Chavez Ravine (the place) came from, not that this story doesn't deserve the attention it's getting. First the photo book published by Chronicle Books, then the play by Culture Clash and now, the album by Ry Cooder. I was impressed with the collection of talent used for the production of this album, but hugely dissappointed when I bought it and took a listen, it's an overrated album and downright obnoxious sometimes. I agree with David M, the worst tracks are his compostions. Good intentions, bad music... Full Review »