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Jul 10, 2013Yet subtle fiddle, accordion, pump organ, and especially bass liven up the acoustic guitars just a touch, and both Mitchell's fluting, childlike lead and Hamer's mellower follow avoid purist sanctity as well as modernizing pizzazz.
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Mar 21, 2013Through Mitchell and Hamer, these characters, made flat by design and even more by time, spring into full dimension, ache and grieve and flirt, live and die and get born again.
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Mar 19, 2013While the material may be tried and true, the performers deserve ample credit for making the tunes invitingly clean and bright.
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Mar 19, 2013It is a cohesive collection, each ballad given similar treatment, steadied and prettied to similar effect, and the exercise is sadly brief.
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Feb 26, 2013From the disapproving father in Willie o Winsbury to the courageous, justice-seeking wife and mother in Geordie, the ballads’ centuries-old characters--and their dilemmas--are beautifully drawn.
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MojoFeb 12, 2013Anaïs Mitchell with guitarist/singer Jefferson Hamer unexpectedly proves that her precious storytelling art is equally mesmerizing on the great traditional ballads collated in the 19th century by Francis James Child. [Mar 2013, p.96]
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Feb 12, 2013It is absolutely beautiful.
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Feb 12, 2013It's a deeply satisfying album, steeped in mystery and enchantment.
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Feb 12, 2013Though Mitchell and Hamer avoid the kind of astringent vocal blends favoured by most British singers of these ballads, there's still an intriguing piquancy to their harmonies, with Mitchell's girlish timbre resting against Hamer's milder, warmer tones.
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Feb 12, 2013With archaic language updated by transatlantic twang, it's a winning addition to the canon.