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Clearing the Path to Ascend Image
Metascore
85

Universal acclaim - based on 7 Critic Reviews What's this?

User Score
8.4

Universal acclaim- based on 7 Ratings

  • Summary: This is the seventh studio release for the Oregon doom metal trio of Mike Scheidt, Aaron Rieseburg, and Travis Foster .
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Score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. Sep 3, 2014
    83
    All dreams must end--but by extension, so must all nightmares. On Clearing The Path To Ascend, Yob has beautifully, brutally conjured a bit of both.
  2. Sep 4, 2014
    82
    YOB’s latest record stands as one of their densest, so it's good that the band's greatest asset, their impeccable pacing, remains intact.
  3. Sep 3, 2014
    80
    The amount of technical and emotional ground that YOB are able to carry across these four tracks is phenomenal, and makes Clearing the Path to Ascend the album that marks the band's return to the height of their power.
  4. Sep 3, 2014
    80
    This entire album is in a constant state of movement, and could just be their finest moment yet.
  5. Kerrang!
    Oct 3, 2014
    80
    This seventh record still offers plenty for those who want an aural assault. [30 Aug 2014, p.51]
  6. The Wire
    Dec 2, 2014
    80
    The intense volume and solemn pace of the music is given extra weight and dimension by Scheidt's extraordinary vocal. [Oct 2014, p.61]
  7. 80
    It’s a stealth band, working on the rack of riff and repetition, moving slowly toward loud, intense, orange-sky beauty.
Score distribution:
  1. Positive: 0 out of 1
  2. Negative: 0 out of 1
  1. Oct 24, 2014
    4
    This album is mostly uneventful, the sound is cluttered, and the lyrics don't connect with the listener in any way. Most of the grooves areThis album is mostly uneventful, the sound is cluttered, and the lyrics don't connect with the listener in any way. Most of the grooves are way too repetitive to create any emotion. It's like the band was too concerned with keeping the traditional, repetitive nature of their metal songs than actually writing good, creative music. Sometimes the music develops and creates one of the few good or interesting sections of the hour-long drag of an album. It's mostly just meh. Favorite track: Unmask the Spectre Expand