Colour The Small One

Metascore
77

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 12 out of 15
  2. Negative: 0 out of 15
  1. Mojo
    60
    If her murmurous slurring defies full comprehension, her gentle sadness, hesitant beats and melancholic piano settings match the odd clear phrase. [Mar 2004, p.102]
  2. She sounded more like a star when she cameoed in Zero 7 than she does on most of her own album.
  3. Sia's voice can be affected, and when the songwriting sags and the production becomes more generic toward the middle of the album, she struggles to keep the listener's attention.
User Score
9.0

Universal acclaim- based on 108 Ratings

User score distribution:
  1. Positive: 13 out of 14
  2. Negative: 0 out of 14
  1. Dec 22, 2014
    10
    Absolutely brilliant and original. This is one of her best,I totally recommend the bonus tracks: Broken Biscuit and Seashells they're uniqueAbsolutely brilliant and original. This is one of her best,I totally recommend the bonus tracks: Broken Biscuit and Seashells they're unique and very smart by captivating all the attention to whoever listens them!!! Full Review »
  2. Sep 21, 2011
    10
    Sia Furler's 3rd album "Colour the Small One" is a deeply emotional album where her talents as a lyricist truly shine through. Sounding milesSia Furler's 3rd album "Colour the Small One" is a deeply emotional album where her talents as a lyricist truly shine through. Sounding miles different from her 1997 trip-hop laced debut, "OnlySee," or her 2001 follow-up, the acid jazz/hip-hop infused "Healing is Difficult," "Colour..." holds its own as an extremely personal, brutally honest album. Album opener "Rewrite" is in stark contrast to the tracks of "Healing...," with Sia painfully whispering dark lyrics. The track "Sunday" is a surprisingly optimistic and summery song with a wonderful chorus. Then comes the now iconic, emotional behemoth "Breathe Me." Little more can be said to try and describe this song other than slick perfection. Beck helped pen the following track "The Bully" where we finally realize that there is more to this talented woman than meets the eyes. "Sweet Potato," "Don't Bring Me Down," "Natale's Song," and "Butterflies" make up the core of this album, each with their own separate, powerful strengths and vulnerabilities. Radiohead-inspired "Moon," gospel-driven "The Church of What's Happening Now" and the painful "Numb" begin an appropriate wind-down of the album, when "Where I Belong," a loud, fast-paced, jazzy tune with belted-out lyrics seems to come out of the blue. But that's a good thing (it's a personal favorite). The theatrical "Broken Biscuit" and the down right bizarre, yet oddly addicting "Sea Shells" are included as two bonus tracks. Yet, despite their not being included on the original UK mastering, they do not disrupt the flow of the record Included after "Sea Shells" are two remixes of "Breathe Me" that aren't great and really do not fit. I would rather the b-sides "Lucky" and "So Bored" be included in their place. "Colour..." is one of my favorite albums, and in my opinion is Sia's strongest release. Needless to say, I highly recommend it. Full Review »
  3. Feb 2, 2016
    10
    Back to when Sia was an underrated composer, the album maybe is getting more attention now than when it deserved. The simple concept andBack to when Sia was an underrated composer, the album maybe is getting more attention now than when it deserved. The simple concept and wonderful songs made it with no doubt one of the best albums in music history. Full Review »