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Comedown Machine Image
Metascore
68

Generally favorable reviews - based on 45 Critic Reviews What's this?

User Score
7.9

Generally favorable reviews- based on 276 Ratings

  • Summary: The fifth full-length studio release for the alternative rock band led by Julian Casablancas.
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Score distribution:
  1. Positive: 23 out of 45
  2. Negative: 0 out of 45
  1. Mar 22, 2013
    90
    This record is fun, it’s exuberant, and it’s diverse--and yet nothing sounds unnatural or feels crowbarred in.
  2. Mar 18, 2013
    80
    They’ve returned with their most thought provoking, strange and sexiest record yet.
  3. Comedown Machine is, essentially, The Strokes' 1980s album.
  4. Mar 25, 2013
    61
    The deeply uncool Comedown Machine smacks of effort.... Still, the limitations of Comedown Machine's protracted diversity all come back to Casablancas, a man with wide range as a listener and extremely narrow range as a musician.
  5. Mar 25, 2013
    60
    Comedown Machine remains a pretty good album, possibly the least characteristic thing they've released to date.
  6. Mar 26, 2013
    50
    The Strokes’ hallmarks--those lean melodies, that steely interplay among guitarists Nick Valensi and Albert Hammond Jr. and bassist Nikolai Fraiture, the urgency of Julian Casablancas’s vocals--are largely absent on Comedown Machine, their fifth studio album. In their place is a looseness that’s refreshing enough, until you realize these guys are perhaps running short on ideas.
  7. The Guardian
    Mar 21, 2013
    40
    For the most part, this sounds like a band running low on ideas, or motivation, or the indefinable magic that makes a band a band.

See all 45 Critic Reviews

Score distribution:
  1. Positive: 48 out of 58
  2. Negative: 2 out of 58
  1. Apr 6, 2020
    10
    Comedown Machine is the most interesting to listen to at times, but falls flat at others. However, it opens with Tap Out, Wich is the bestComedown Machine is the most interesting to listen to at times, but falls flat at others. However, it opens with Tap Out, Wich is the best opener on a Strokes album. It definitely isn't my least favorite album, but it falls in the bottom two. Expand
  2. Mar 31, 2013
    10
    Comedown Machine needs to be listened to more than once to make an informed decision. This is not an album that immediately screams genius,Comedown Machine needs to be listened to more than once to make an informed decision. This is not an album that immediately screams genius, like Is This It. It requires thought and an open mind to understand the purpose. CM stays true to the classic aura of the band; complex in its simplicity (I know this sounds like an oxymoron, but if you'll hear me out, I'll prove my point). Before anyone downloaded the LP or heard a single note, CM was subjected to a degree of prejudice and disregard that is unfair and ridiculous. Most critics, and fans, are not judging CM on its merits, but on the merits of Is This It or through the douchy hipster reaction to the bands' ITI hype (or the even more childish bias of socialism since the band came from an affluent background). It isn't fair to compare CM through the lens of Is This It because ITI is a masterpiece (regardless of what the cliche anti-establishment establishment says). That being said, Comedown Machine contains the same vibrancy and attitude of their former works, just in a new style for a new generation. The first time I heard the album, and the singles, I made the same mistake. I viewed CM throught the prism of Is This It and was disappointed by the differences. However the second time I listened, I noticed the large diamonds among the tracks: Welcome to Japan, All the Time, Partners in Crime, Tap Out, and 50/50. These songs are classic Strokes in their quality and intensity. The Strokes pack a lot of energy into 3 minutes without begging for attention. Their music leaves you feeling satisfied and eager for more; a state that few bands can achieve. Simplicity is the band's greatest asset. But, CM adds more to the formula.

    On the third listen, I discovered the hidden gems of the album: Happy Endings, Chances, One Way Trigger, Slow Animals, 80s CM, and Call it Fate, Call it Karma. Each of these songs stands on its own ground, delving into complex emotions in the right way. The music combines 80s new wave punk with modern style and the Strokes's brand of rock. Somehow, these songs make perfect sense and add to the depth of the album, as long as the listener is willing to give in to the group's perspective.

    I enjoy the sound, style, and energy of the album. It is consistent like Room on Fire with the potency of FIOE. The Strokes have a way of saying volumes with a simple musical gesture that is reminiscent of early 60s rock bands, like the Rolling Stones, the Beatles, and the Kinks. It is very difficult to be momentous and simplistic at the same time. The Strokes achieve that status without rubbing it in. In fact, the Strokes's attitude is like pissing on an a**hole's shoes to entertain your friends at a bar; you might gain a few new scars, but it's worth it for the memories. PS If you want to criticize the album, a few songs sound similar to other music. OWT's intro reminds many people of Aha's Take on Me, or some BS Mana song for Spanish listeners. I say, Who Cares! If we limit ourselves to only brand new ideas without any influences from the past, than pretty soon we will run out of ideas. Creativity combines elements of a person's personality with their perspective of the surrounding environment and reality. That being said, I don't believe the Strokes ripped off anything in CM. Does anyone honestly believe that Julian sat around one day and put on Aha and decided to remix it like some ridiculous rapper? Grow up people; the world's music catalog is gigantic and no one has heard everything or can remember everything he/she may have heard. The Strokes rock; if you care about the rest of the BS, then I feel sorry for you.
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  3. Mar 28, 2013
    10
    Wow... I stay impressed with The Strokes, totally different from their previous Albums, and believe you me not a bad thing; Tracks like "TapWow... I stay impressed with The Strokes, totally different from their previous Albums, and believe you me not a bad thing; Tracks like "Tap Out" "All The Time" 'One way Trigger" Even, "Welcome to Japan" Yes, I am telling you this Album is good very different but so damn good, Although, all of my friends are not happy with it, I still recommend it to you. And that is just half of the songs, the reason why you might have problems liking this album could be the fact that Julian keeps his voice higher in some of these songs, something we are not used to. "80 's Comedown Machine" almost made me cry by far, my Favorite from the Album. "Slow Animals" and "Chances" two more songs that prove this Album is Fantastic and The Strokes have not lost their touch. The last track, something completely different yet, I find myself relaxing and loving it just as much... Don't be so quick to dismiss this album, it is definately worth a second chance... Again, I recommend this to you. Expand
  4. May 16, 2013
    9
    To be honest, I was never a fan of the Strokes. I just wasn't on board for their brand of rock revival for some reason. However this new albumTo be honest, I was never a fan of the Strokes. I just wasn't on board for their brand of rock revival for some reason. However this new album I really enjoyed. I think his vocals are better served by the synth noises and electro beats that inhabit the sound here. If you love 80's new wave check it out. Expand
  5. Apr 1, 2020
    8
    Better than their previous but still way off their best. Fave tracks 80s comedown machine & Welcome to Japan
  6. Jun 15, 2013
    8
    Angles was completely different from anything The Strokes had ever done before, but now that Comedown Machine is out it's all clear why AnglesAngles was completely different from anything The Strokes had ever done before, but now that Comedown Machine is out it's all clear why Angles was how it was. The Strokes had gone in a totally new direction with Angles, and that being their first time, was an alright approach. Comedown Machine is the direction they truly aimed to go though. The sound on Comedown is a bridge between their early stuff and Angles, forming a crisp, catchy new look on the band's style of playing. A pretty great homage to some of the 80's catchy tunes. Expand
  7. Apr 17, 2013
    1
    I've heard a lot about this band and their supposedly amazing debut, but I haven't got around to listening to it yet. But I decided to giveI've heard a lot about this band and their supposedly amazing debut, but I haven't got around to listening to it yet. But I decided to give their latest release a try, seeing as it could well be the group's last album. Well, if that's the case, they're not going out with a bang. This is one of the weirdest albums I've ever heard barely audible voices, awful vocals, lyrics I can't make head or tail of, and a bunch of odd noises that send me reeling. It seems like something thrown together for a joke. The lead single, All The Time, is practically a crime against music. The only decent song is closing track, Call It Fate, Call It Karma, which is a beautiful ballad and a glimpse into what the album could have been. I've heard a lot of fans say that their debut was their opus and they slowly declined from there, so I'm surprised that most of them seem satisfied with this. I expected more effort from a final album. Expand

See all 58 User Reviews