Metascore
70

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 18
  2. Negative: 0 out of 18
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  1. 90
    Cope is a loud dose of poetry which I can see stretching its musical arms very far and very wide.
  2. What we end up with on Cope is not only an album that’s worth the wait, but one that seems to be pretty distinctly illuminating a path: soft-to-loud, simplicity over complexity and emotional release through power chords.
  3. Q Magazine
    Apr 23, 2014
    80
    The infinitely superior Cope might expand their reach further still. [May 2014, p.114]
  4. Mar 31, 2014
    80
    Cope as a whole is a valuable addition to Manchester Orchestra’s ongoing canon.
  5. Alternative Press
    Mar 31, 2014
    80
    Though it unfortunately eschews the dynamic emotive crests and space of past efforts in favor of MO's intensely urgent intent, its results make it a completely worthy addition to an already strong alt-rock catalog. [May 2014, p.89]
  6. Mar 31, 2014
    80
    Cope is more than just the sound of a band getting by; it's the sound of Manchester Orchestra at their best.
  7. Apr 1, 2014
    79
    The songs are fast and short; the energy throughout the album is infectious and continuous--which helps to not overwhelm with its cranked-to-11 setting and should have most eager and willing to keep coming back.
  8. Apr 9, 2014
    76
    On this fourth full-length, their existential musings are bolder than ever.
  9. Apr 3, 2014
    70
    Those familiar intricacies are thankfully still present and correct and the direct approach undoubtedly suits a band still full of ideas.
  10. 70
    Sustained power and little in the way of variety can make for quick fatigue, but at just 38 minutes long Cope has hooks and energy to spare.
  11. Apr 24, 2014
    60
    The result is slightly uneven, but ultimately has some fantastic songs on it.
  12. Apr 4, 2014
    60
    There are big, well-crafted hooks on the Oasis-y "The Mansion" and the melancholy slow-burner "Indentions," though they're often stuck in clunky arrangements and muddy self-production.
  13. Apr 4, 2014
    60
    This is a collection of eight and nine-out-of-10 rock songs that come together to make a six-out-of-10 album experience.
  14. 60
    Eight tracks straight of gut-punching, emotive arena rock can be exhausting--especially when it leans so heavily on emo aesthetics.
  15. Mar 31, 2014
    60
    Indentations is the pleasing exception. A slowed down, emotionally visceral tune, it demonstrates that Manchester Orchestra have a real breadth in their songwriting.
  16. 60
    It certainly sounds like black and white and red, but while it’s quite clearly in a better way than a sunburnt penguin, its attempts at something completely dramatic and bold aren’t quite as successful as Spielberg’s iconic scene.
  17. Apr 1, 2014
    56
    Four albums in, it's becoming pretty clear that the genre in which Manchester Orchestra resides has more untapped potential than the band itself.
  18. Mojo
    Apr 23, 2014
    40
    [A] set of exhilarating if unrelenting Weezeresque thrash pop. [May 2014, p.96]
User Score
8.2

Universal acclaim- based on 20 Ratings

User score distribution:
  1. Positive: 18 out of 20
  2. Negative: 0 out of 20
  1. Apr 10, 2014
    9
    Sporting thick guitars from top to bottom, Cope is an unrelenting rock album from a band known for it's intense live performances. This albumSporting thick guitars from top to bottom, Cope is an unrelenting rock album from a band known for it's intense live performances. This album feels like an attempt to bottle their live sound; an ambitious undertaking that is accomplished reasonably well. Weezer and QOTSA come to mind a number of times; however Cope is still as original as Manchester Orchestra itself, with a rawness and lyrical bravery all too uncommon in typical rock albums. Cope is also difficult to categorize. Hull has held true to his lyrical roots with a distinctive indie feel, cloaking a pounding album which never stops to catch it's breath. This is the Manchester Orchestra prophesied by Simple Math's 'April Fool' and 'Virgin', fans hoping to relive the slower and more soulful yearning of previous tracks like 'I Can Feel a Hot One' or 'Leaky Breaks' will be sorely disappointed. Far less duplicitous than it's predecessors, Cope is a decided rock album coupled with Hull's typically deconstructed and honest lyrical flair. To my ear Cope is one of the best rock albums 2014, and that's no April fool. Full Review »
  2. Sep 30, 2019
    9
    An absolutely brilliant album, as Andy Hull continues his journey of music making and introspective thinking.

    The album opens with energy,
    An absolutely brilliant album, as Andy Hull continues his journey of music making and introspective thinking.

    The album opens with energy, and takes you along for a ride of emotion. Many additions in this album show Hull's ability to pull from other side works of his as a major contribution to Manchester Orchestra. A mixture of his indie rock background tied in with the band's ability to tie folkiness storytelling throughout the heavier rock titles makes Cope a vibrant and powerful addition to Manchester Orchestra's work.
    Full Review »
  3. Apr 10, 2014
    10
    If you are looking for an album to blast while working out or preparing to battle to the death then this is the album for you. Atlanta rockersIf you are looking for an album to blast while working out or preparing to battle to the death then this is the album for you. Atlanta rockers Manchester Orchestra return with their 4th full length album and there is no surprise here, it is awesome.

    Layered guitar tracks smash through every track with unquestionable authority while Andy Hull's voice/beard leads the charge with never ending vigor. This album may lack the soft and desperately pleading melodies from Virgin, the complexity and personal depth of METN, and the hauntingly beautiful crescendo of children's choruses and orchestral string sections of Simple Math....but it makes up for all of that by melting your **** face off. Is it the same album as previous full length records? Absolutely not, and why would you want the same record again. Cope is not a creative flowering of a band maturing... It is a straightforwaed, wild, and unrelenting statement of "we do whatever we want".

    Make no mistake, Manchester Orchestra is fully capable of bringing the strengths and successes of the other albums back in full force whenever they so choose- the beauty of recording on your own label is that nobody forces you to make that "next album" a certain way.

    Cope has no master, certainly not the likes of you.
    Full Review »