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More interestingly, it gives a peek into Yo La Tengo's working methods. It's been a long time since they brought finished songs to the practice room; instead the combo jams together and lets the improvisation mutate over time into tunes which sometimes become the basis for songs.
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Entertainment WeeklyWhat was once edge now feels like random noise in place of melody. [11/24/2000, p.83]
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Yo La Tengo's instrumentals work best as interludes and intriguing sidetracks on their full-length albums. On Danelectro, the instrumentals are brought out of this context, and are not as successful.
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Nothing on this EP is particularly awful-- Yo La Tengo certainly can't be blamed for their efforts-- but sometimes things are better left unremixed. The sequencing's overwhelmingly tacky, and really, how often do you think you'll find yourself in the mood for Takemura's epic reworking of a vaulted Yo La Tengo instrumental? The record has its moments of beauty, but in the end, it fails to add up to a satisfying whole.