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The brilliant new album Dark Light Daybreak sees Now It's Overhead mixing the smoldering and beautifully layered guitar sounds from 2001's self-titled debut with the haunting synth-pop beats from 2004's Fall Back Open and taking them a step further by including more intricate melodies, polished arrangements and even grander guitar-scapes.
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UrbThis album pays less attention to the club lights and feels more clubbed over the head emotionally. [Sep 2006, p.136]
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Alternative PressThough lifeless songs such as "Estranged" still remind you of LeMaster's yawn-inducing past, the rest of Dark Light Daybreak suggests he should've stretched out like this a long time ago. [Nov 2006, p.200]
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While nothing on Dark Light Daybreak is mind-blowingly original, it's all very good, and each song only adds on to the effectiveness and beauty of the next, layering one upon another like the instruments themselves, and making a very solid, even great, album.
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MagnetOn Dark Light Daybreak... Now It's Overhead cuts back on its former haze to graze in cleaner pastures. [#73, p.103]
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For an album with such a diverse sound palette, it spends too much time in one mode-- sincere, mid-tempo grandeur-- to be more than another solid, perfectly listenable album.
User score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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BigTomCasualDec 7, 2006
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ChristineR.Sep 29, 2006