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100Dear Heather is Cohen's highest tide yet, his most exquisite marriage of song and poetry and ambiguous grace. [Nov 2004, p.114]
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90Of course Cohen can't sing, but what matter that when the words are so rich?
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84Dear Heather, while slow and deep like all of Cohen's albums, carries its own rich surprises. [#13, p.95]
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80Cohen's towering presence and deft songwriting breathe life into the lite-jazz arrangements.
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80Lyrically it's one of Cohen's least ambiguous albums... Musically it's melodic and memorable. [Nov 2004, p.96]
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80Dear Heather is top Cohen. [Nov 2004, p.131]
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If this is indeed his final offering as a songwriter, it is a fine, decent, and moving way to close this chapter of the book of his life.
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80Completely fascinating from beginning to end.
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Leonard Cohen has had No Voice since he began recording at 33. But he has more No Voice today, at 70, than he did on Ten New Songs, at 67.
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His sleaziness is hilarious. [30 Oct 2004, p.65]
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What makes Dear Heather tick are the ladies who look back: longtime co-composer/producer Sharon Robinson and producer-engineer Leanne Ungar, as well as occasional co-lead vocalist Anjani Thomas, who open up the arrangements from the often repetitive Casio-lounge feel of 2001's Ten New Songs.
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70At once new and old, familiar and fresh.
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The preponderance of slight songs marks this as a minor effort. [29 Oct 2004, p.69]
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60A straightforward, warm-sounding album. [Dec 2004, p.138]
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60During Dear Heather, it becomes hard to escape the sensation that Cohen is expending all his energy on the words and losing interest in music.
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58Given that this may be your final release, this is no way to say goodbye.
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Pretty much nothing from Dear Heather is without some kind of significant flaw, and the only thing saving it from being below average---at least in a general sense, and not kept strictly to his own discography----are the few moments that Cohen is kept solitary with as little outside interference as possible.
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A particularly dour, unsatisfying way to end such an intriguing career.
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Mostly, Dear Heather just coasts on poetic phrasing and inoffensive tunes.
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