Mixed or average reviews- based on 24 Ratings
Jul 5, 2011I've been a fan of ATL since So Wrong It's Right, so I was greatly anticipating the release of this album - especially since they kept usI've been a fan of ATL since So Wrong It's Right, so I was greatly anticipating the release of this album - especially since they kept us waiting so long. I was more impressed with Nothing Personal. Alex Gaskarth [lead] kept talking about how he felt this was a more "grown up" record, and it showed their growth as a band, but I have to disagree. Most of the songs seemed a little amateur to me. There are a few songs off this album I really enjoy, but most of them are just decent. I think the writing really took a turn for the worst. Their previous records were so much more raw, and honest feeling. On this album they were far too focused on rhyming words, that they seemed to have forgotten to let the songs flow on their own. "You're not a hero, you're a liar, you're not a savior, you're a vampire" really left me feeling like the victim of a bad pop band- the only thing missing was an over usage of auto-tune, even though they don't fail to saturate themselves in that with a few different songs. Most of the reason I was so disappointed with this record is because I know they could have done better.… Full Review »
Mar 23, 2014Pretty much an average album. First half is catchy, then it's just generic.
The first half is full of energy, and then the second half isPretty much an average album. First half is catchy, then it's just generic.
The first half is full of energy, and then the second half is full of "Ohmygodlifesuckssomuch" songs. I was just there like "PLZ STAHP".… Full Review »
Aug 27, 2013While no Don't Panic, Dirty Work was the pinnacle of the bands career up until this point. It's a big progression from the endearing but vapidWhile no Don't Panic, Dirty Work was the pinnacle of the bands career up until this point. It's a big progression from the endearing but vapid collection that was Nothing Personal. The pop songs here are shamelessly committed, the highlights of which are the first three tracks, Do You Want Me, the tongue in cheek party stomper that is I Feel Like Dancin' and Forget About It. Much of the rest of the album is a huge step up. The love songs are particularly poignant, with A Daydream Away, No Idea and Under A Paper Moon, while the possible pinnacle of the album is the charged Guts. Gaskarth's vocals are increasingly mature, a competent if uninspiring singer who gets to the heart of the songs in his delivery. Unfortunate is the musical repetition, with tame drumming from a talented craftsman and wall of sound delivery from the guitarist. Jack Barakat isn't the best guitarist in the business, as evidenced by his solo in Guts, but more augmentations during vocal parts would have considerably spiced up the songs. A good album from a band that is still yet to fulfil it large potential.… Full Review »