Metascore
79

Generally favorable reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
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  1. Apr 2, 2013
    60
    While the band might be adjusting after a shake-up like losing a singer, they've still managed to create another riff-fest that, while not a throwback to their older sound, has them continuing down their current path without much trouble.
User Score
8.4

Universal acclaim- based on 37 Ratings

User score distribution:
  1. Positive: 32 out of 37
  2. Negative: 1 out of 37
  1. Apr 24, 2013
    8
    A good return of KSE, but I do not really surprised.
    Jesse Leach returned years later muchs KSE was good news, because if I like singing in
    A good return of KSE, but I do not really surprised.
    Jesse Leach returned years later muchs KSE was good news, because if I like singing in the band, but now I have to say it was somewhat disappointing on their part, their guttural voices were almost bad, maybe not you think so but a comparison of AOJB album is almost disappointing.
    Clarified that the clean vocals of Jesse Leach are still very good as previous works, but he also had the same problem as Howard Jones on his album, do not sound like themselves, in this case Jesse sounded like it was a sore throat if they hear this new album AOJB and can it be confused with the guttural voice and find new work ugly.
    The instruments still sound amazing and epic plus great guitar riffs or solos that can be seen in the songs: "The New Awakening" and In Due Time while continuing to have good lyrics.
    The truth is not what rating to give it, is very good pace, but he failed the guttural. Also, if it is true that Jesse them again with renewed push towards the wild and dark side of the band, but only rarely. If anyone expected the Killswitch, now back to Jesse's head, would dare to charge a second part of that great Alive Or Just Breathing, or simply going to continue from that point aside all the stage ultra-melodic emotional and have lived with Howard Jones, goes very wrong, or at least half.
    Prisoners of their own patterns and secured in a position they do not want being eroded, sweetened excesivametne choirs and emotion pastelosa breathing some tarnish again flawless production work and a potential that was lost many years ago.
    Full Review »
  2. Apr 11, 2013
    9
    TL;DR A great album if you can get over the Howard incident.

    This album has been on repeat for the past few days for me, and I really don't
    TL;DR A great album if you can get over the Howard incident.

    This album has been on repeat for the past few days for me, and I really don't have any complaints. Yes, at times there will be some similarities with the structure of the songs, maybe the same "chugging" effect starts leaking through, but I can say without a doubt that this doesn't make it bad by any means. If you're going to sit there and compare Jesse to Howard for this album, then you're probably just not going to enjoy it. If you can forget about that incident and treat this as its own venture though, then you'll enjoy DtD from start till finish. On a side note, Jesse seems to bring a lot of "upbeat" tones to songs at times, I think some good examples of this would be In Due Time and Always.

    Overall, If you enjoy some clean vocals and great production, you'll easily enjoy this album.
    Full Review »
  3. Jun 5, 2016
    10
    This album is in my opinion, a masterpiece of metalcore. Jesse Leach in support with Adam D's vocals make for a ferocious and incrediblyThis album is in my opinion, a masterpiece of metalcore. Jesse Leach in support with Adam D's vocals make for a ferocious and incredibly beautiful vocal performance, with exceptional music to support. I have to say I believe this is their best album to date, and is easily one of the best metalcore albums ever created. Full Review »