Discovery

In truth, Discovery rarely invokes its predecessor's slap-bass funk, and few other tracks resemble the obviously single-designed "One More Time." Instead, Daft Punk focus on fusing mid-80's Kool and the Gang R&B beats with post-millennial prog flourishes and more vocoders than you can shake at Herbie Hancock.

No moment of Discovery is left unfilled with an idea, a sonic joke, a spark of brilliance.... a towering, persuasive tour de force which ultimately transcends the dance label.

Daft Punk have pulled off a brilliant wheeze by re-inventing the mid-'80s as the coolest pop era ever. And not even the officially approved retro-kitsch cool of Madonna's lukewarm excursions into post-Daft terrain but all the bubble-permed, sports-jacket-and-jeans excesses they can muster.... Mostly, though, 'Discovery' is simply fantastic pop...

It feels like a concept album -- in this case, the story of how wine-flow disco circumnavigated intellectual pretensions on all sides en route to a temporary utopia that may finally believe in nothing but the boogie but still has the infinite on its mind every minute. [June 2001, p.145]

The beat editing and EQ wizardry still wow... but next time, less comedy, more ecstasy. [3/30/2001, p.68]

Once you get past the roller-disco-house vibe of the first single, "One More Time," your ears and booty will twitch just fine to the booming beats and taffy-stretching grooves. [#153, p. 63]

An early contender for the year's best dance/pop album.

Taken as a whole, 'Discovery' is a compelling concoction of styles that continually surprises.

Matching Homework in quirkiness, buoyancy, and club-ready freak-beats, Discovery combines the best of what Daft Punk has to offer: mid-'80s synth-pop ("Digital Love"), sleazy euro-funk ("Harder Better Faster Stronger"), shake-your-booty electro-metal with spacey guitar effects ("Aerodynamic" -- Basement Jaxx meets Eddie Van Halen), and minimal, big-beat tunes that Underworld wishes it would have thought of first ("Superheroes").

You don't even need to be strung out in a dark room full of beautiful strangers to enjoy it. [June 2001, p.158]

Listeners might tire of its mechanical edge, but luckily Daft Punk folds in a few more layers. Whether the listener believes it or not, Discovery postulates that club music can possess depth of sound and be more than a never-ending beat that simply marshals your body along with it. Thus, the songs are shorter, more eclectic and rife with hills and valleys of beat that urge you to stop and listen.

The duo's ingenuity and willingness to push the envelope shines as brave and completely commendable. [Apr 2001, p.90]

Shortcomings like the aimless ambience of "Nightvision" don't seem like total failures simply because the duo's attitude remains intact even when their songs fall short.