Drill A Hole In That Substrate And Tell Me What You See Image
  • Summary: The always interesting Florida-based singer-songwriter's third album was co-produced by Joe Henry, with appearances from Aimee Mann, Chocolate Genius, M. Ward, Bil Frisell and The Sadies.
Score distribution:
  1. Positive: 14 out of 17
  2. Negative: 0 out of 17
  1. Terms like "alt.country" are far too prosaic to contain music which might equally be called post-bebop, spook-folk or ghoulish horror soundtrack.
  2. White conjures lost souls drifting through a mythical nation of pawnshops and cheap motels, his voice a sensual whisper over their rattling bones. [9 Jul 2004, p.89]
  3. Isn't intense enough to demand listener attention, isn't wandering enough to be hypnotic, and isn't melodic enough to be immediate. [#7]

See all 17 Critic Reviews

Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. NickD
    10
    I bought this on the back of hearing track two "Bluebird", thinking it was going to be this lush but ominous occasionally experimental folk album. Oh, how pleasantly wrong :D The Guardian's comments sum it um, White's got a penchant for the sounds of cool jazz through a modern spectrum of sounds. White's husky voice reads some fantastically raw and visceral lyrics, and all the guest spots are fine. Great tracks abound, like Static On The Radio, The Girl From Brownsville Texas and Phone Booth in Heaven, but the stark reality of hope/failure in the gorgeous Bluebird clinches it for me. Expand
    • 0 of 0 users said yes
  2. ChrisE
    9
    If you liked "O" by Damien Rice (and who in the world didn't?)... you'll dig this cd a lot!
    • 0 of 0 users said yes
  3. NeilG
    9
    This record defies the diminishing law of returns and reveals more inventiveness with each extra listen. Jim White shows signs of influences throughout the course of this record but never at the expense of his own maverick imagination. Expand
    • 0 of 0 users said yes

See all 4 User Reviews

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