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- Critic score
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Apr 21, 2014Mirrors, cameras, and lenses are all over Drop, an artistic statement that effectively functions as a screen.
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MagnetMay 19, 2014The group maintains the signature controlled-chaos staples of its sound--big, dirty riffs underpinned by John Dwyer's trademark ghoulish vocal melodies--while broadening its already hyper-musical palate. [No. 109, p.55]
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Apr 21, 2014It’s not quite the equal of its predecessor--last year’s breakneck, flute-powered ‘Floating Coffin’--but is a gem nonetheless: nine tracks of noise-spiked Nuggets-y psych-punk, each one hitting with the crisp concision of a long-lost jukebox classic.
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Apr 18, 2014That sweetness is exactly what we need after devouring the indulgent, carb-heavy, extra-sauce sound that is Drop, and (at the risk of allowing this metaphor to spiral further), we leave feeling totally satisfied and craving more at the same time.
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UncutApr 14, 2014The joy is in how much of it there is to listen to, with constant change in tempo, instrument and texture that manage to maintain an overall coherence while keeping everybody from getting bored. [May 2014, p.79]
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Apr 14, 2014The various sides of Thee Oh Sees--the world-beatingly loud'n'fast live garage band; the swirlier, prettier home-taped psych-pop solo project; the synth-kraut-spacerock explorers--are comprehensively represented on Drop.
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Apr 24, 2014Even though such familiar record-collector reference points abound on Drop, the mischievous melodies and funhouse-mirrored guitar contortions render the results unmistakably Oh Sees.
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Under The RadarJun 6, 2014Every moment is crucial and energetic, a sheer heart attack of rock magic that should, by all rights, be blaring at every too-warm, too-full house party of the coming summer. [Jun/Jul 2014, p.93]
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Apr 22, 2014While there’s nothing here as instantly infectious as “Toe Cutter-Thumb Buster” (the single from last year’s Floating Coffin), Drop plays like some lost weekend at the Fillmore West circa 1966-71.
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Jun 16, 2014It’s unabashedly seventies, from the Black Sabbath-meets-Yeezus rhythm of “Penetrating Eye” through the end, but Drop is something fans of guitars and reverb need desperately in 2014, just as with every Thee Oh Sees release before it.
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Apr 14, 2014There's enough of Thee Oh Sees' personality in Drop that fans will readily recognize it, but if you've ever been turned off by their layers of skronk, or the acid-damaged travels into the sonic wilderness, Drop could well be the album where this band finally catches up with you.
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Apr 25, 2014Sometimes the album sounds backward when it isn't. Rarely does it sound like one person squeaking out notes in succession--more like a bunch of dudes filling a tape with improvisations, rewinding to the cool parts and haranguing some hapless studio engineer to razorblade it all together.
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Apr 23, 2014There’s enough texture and variety to Drop to make it a consistently engaging listen, although on a song-by-song basis, it doesn’t quite stack up to the albums preceding it.
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Apr 14, 2014For all their wiggy sonics, Thee Oh Sees rarely lose their way, and these nine tracks scamper along, unfettered by genre hang-ups and aided by guest guitarist Mikal Cronin.
User score distribution:
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Positive: 10 out of 13
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Mixed: 3 out of 13
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Negative: 0 out of 13
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Aug 30, 2018
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Sep 23, 2014
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Jul 31, 2014