Dye It Blonde
- Smith Westerns
- Band Name: Smith Westerns
- Record Label: Fat Possum
- Release Date: Jan 18, 2011
User Score
7.9
out of 10
Generally favorable reviews- based on 34 Ratings
User score distribution:
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Positive: 32 out of 34
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Mixed: 1 out of 34
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Negative: 1 out of 34
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Jan 22, 20119Total step up in production from the debut. They cleaned things up and actually wrote some awesomely memorable songs. If you like rock, you should like this. You can easily see the T Rex and brit pop influence in the record. 10 love songs that fly by in a flash, whats not to love...
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Jan 22, 20112This album is really pretty horrible. I am finding it hard to listen for more than five seconds without literally cringing in discomfort at how bad it is. I really don't get it. Gets a 2 for being better than the Decemberists.
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Jan 27, 20119Coming off of their first record with it's Lo-Fi ideals, Dye It Blonde is like a breath of fresh unexpected summer air in the Winter with all things considered. The new year's first great record is here but for those who have followed Smith Westerns since the beginning may find themselves wanting the old hazy sound back from time to time.
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Feb 3, 20119Smith Westerns debut was an excellent lo-fi album that owed a lot of credit to the influence of T-Rex. The improved production of Dye It Blonde is not the only reason it is superior to the debut. Smith Westerns find themselves expanding their songwriting while maintaining the simple catchy-hooks of their debut.
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Feb 4, 20119
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Apr 23, 20125After hearing Weekend and reading some of the review on Metacritic I thought I'd give Dye It Blonde by the Smith Westerns a try. The result felt unsatisfying as hearing some the songs I've heard from Real Estate. The lyrics are catchy, while the music is pretty bland for me. I really wanted to like it, but it's pretty forgettable stuff.
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Sep 12, 201167Dye It Blonde certainly demonstrates polish over its predecessor with the leap to Fat Possum.
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May 31, 201180An effortless marriage of modern dream-pop loops and classical 70s guitar lines, it entertains notions of Thin Lizzy and Steely Dan, while producer Chris Coady lends the whole a steadfastly modern feel. [Jun 2011, p.120]
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May 18, 201160The remainder unfurls in similar fashion: laudably spirited, often astoundingly catchy and entirely indebted to the past. [Jun 2011, p.101]