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Earl Grey Image
Metascore
79

Generally favorable reviews - based on 12 Critic Reviews What's this?

User Score
6.8

Generally favorable reviews- based on 5 Ratings

  • Summary: The debut full-length release for the British indie-pop trio of Poppy Hankin, Iris McConnell, and Sophie Moss was recorded over two weeks by the band's touring guitarist, Mike O'Malley.
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Score distribution:
  1. Positive: 10 out of 12
  2. Negative: 0 out of 12
  1. Dec 11, 2017
    90
    The kind of musically rich and emotionally powerful debut that feels timeless and stands far enough apart from the rest of the music scene surrounding it that it feels like a cleansing blast of fresh air.
  2. 80
    Earl Grey’s range is ambitious, and it's executed with a gratifying versatility that lets it hold its head high when nodding to 60s psychedelic pop, 90s Britpop and sweaty pub indie.
  3. Q Magazine
    Aug 1, 2017
    80
    These are deftly executed songs that regularly throw out unexpected curveballs within their Gorky's Zygotic Mynci-like bounce. [Sep 2017, p.109]
  4. 80
    The influence of shambly 1990s indie such as Pavement and, most obviously, Gorky’s Zygotic Mynci is clear on their winningly gauche debut, but it stands in a longer line of British faux-naifs stretching back through Postcard Records and the Raincoats.
  5. Aug 29, 2017
    80
    Earl Grey delivers eleven thoughtful, quirky tracks which deserve to be listened to again and again.
  6. Sep 25, 2017
    70
    There are areas of the record where moments become a bit looser and less infectious, but generally this is a strong debut.
  7. Mojo
    Aug 1, 2017
    60
    Another point of reference is Gorky's Zygotic Mynic and it's Girl Ray's appropriation of their scherzo sensibility lifts the three-piece beyond pastiche, feeding songs such as Don't Go Back St Ten and Where Am I Now with a musical strangeness that's totally alluring. [Sep 2017, p.90]

See all 12 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of