Metascore
68

Generally favorable reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 12
  2. Negative: 0 out of 12
  1. They are all solid examples of the band's unique blend of indie sweetness, psychedelic experimentation, and solid songcraft.
  2. So, while this compilation retrospective may be aimed at completists, there is plenty going on here to satisfy even the most casual listener.
  3. Under The Radar
    70
    Electronic Projects For Musicians is everything you like about The Apples In Stereo and, as always, perfect for children of all ages. [Spring 2008, p.74]
  4. 70
    Their second B-sides compilation is a clear reflection of that indeliable good cheer. {May 2008, p.94]
  5. Electronic Projects is ideal both for new listeners--as it offers a good representation of the Apples in Stereo sound--and for seasoned Apples fans who desire tracks they may not have heard before.
  6. Screwed together with fuzz-tone bridges, rhymes scan monosyllabic even when they’re not, and are resolutely and nostalgically pre-postmodern in their references.
  7. Magnet
    70
    As a fan-pitched compilation of b-sides and one-offs, it's a winner. [Summer 2008, p.100]
  8. There are a number of somewhat bland mid-tempo tracks and a few sketchy incidental things, like the ultra-brief vocal exercise 'Thank You Very Much,' but this is a worthy addition for Apples fans who haven't already tracked down every flexi-disc, Japanese import, and vinyl edition in the band's large catalog.
  9. This is great for obsessive fans and for the remnants of the Elephant Six community, for with Electronic Projects they can get a more complete picture of the band. But why make them pay for it?
  10. There are admittedly a few throwaway one minute efforts dotted around the tracklist such as the piano and melodica-tinkle-tinged Thank You Very Much and The Oasis, but luckily the highlights far outweigh them.
  11. For the most part, this collection is a great addition to the band’s oeuvre.
  12. Uncut
    60
    There's some shrewd commercial nous behind their retro-wackiness. [Aug 2008, p.85]

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