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Elephant Jokes just has a good feeling about it, as if Pollard really liked this batch, so that's why he deigned to play an instrument on it, maybe, and why he slips a little intro in and closes it out with the very final-sounding 'Architectural Nightmare Man.'
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He is a man unconcerned with his legacy, with critical response, with pleasing anyone but his fickle muse. So to hear albums as willfully uneven as Elephant Jokes can be frustrating, particularly when you know Pollard can crank out infectious pop bliss in his sleep.
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He has an eerie gift for memorable melodies, and it's put to good use on this light-hearted album, which burns through 22 songs in 45 minutes.