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- Summary: The second full-length release for the British electronic producer Ross Tones includes natural field recordings from around the small English village he held the recording sessions at.
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- Record Label: Houndstooth
- Genre(s): Electronic, Club/Dance, Dubstep, IDM
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Jan 19, 2017Embers could (and should) start over then, urging all software to "repeat all" and every DJ to throw side one back on the bed of coals.
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Jan 20, 2017The record plots a gorgeous curve from open to close, with earthy drum rolls rubbing up against rusty industrial buzzsaw synths and field recordings serving as segues.
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Jan 19, 2017The album ends as it begins, with the smoldering remains of a dying fire, driving home the album's theme of interconnectedness. Another absolutely stellar work from Throwing Snow.
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MojoJan 19, 2017It's dense and intense digital compositions enter your headspace with stealth or, at other times, occupy it with an assault of breathless beats. [Feb 2017, p.95]
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UncutJan 19, 2017A different, more elegant affair. [than 2014's Mosaic]. [Feb 2017, p.38]
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Feb 6, 2017‘Recursion’ sprawls across its six minutes like modern-day Bach, while ‘Prism Pt 1’ is loping analogue house that jerks and pivots to an idiosyncratic tempo.
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Jan 31, 2017Throwing Snow’s latest does not do justice to those environmental paradoxes. Instead, he hones in rigidly on a narrow conception of darkness and foreboding that grows stale. This rigidity gives the album a closed-off feel that ultimately constricts the flow of emotion and makes for a cumbersome listen.
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Mixed: 0 out of
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