Encore - Eminem
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Metascore

Generally favorable reviews - based on 26 Critics What's this?

User Score

Generally favorable reviews- based on 291 Ratings

  • Summary: The fourth full studio album for the multi-platinum superstar features appearances from Obie Trice, 50 Cent, Nate Dogg and D-12.
Score distribution:
  1. Positive: 12 out of 26
  2. Negative: 3 out of 26
  1. Funny, catchy, clever, and irreverent past his allotted time.
  2. His verses sound lazy and unfocused... Nevertheless, "Encore" does prove one thing: that even half-trying, Eminem is still better than most of the rappers beside him with plenty of personality to spare.
  3. 60
    An awkward faceoff between Mathers the prankster and Mathers the cultural and would-be political agitator. [Jan 2005, p.96]
  4. It's not simply the weakest album of his otherwise impressive career; it's one of the poorest performances from such a high-profile talent in recent memory.

See all 26 Critic Reviews

Score distribution:
  1. Negative: 40 out of 173
  1. This is my favorite Eminem album. I love his crazy antics, and his serious songs like Toy Soldiers & Mockingbird. Even though this is not lyrically his best. I still think its the best because i grew up listening to Encore Expand
  2. VeronciaF
    8
    althugh some may say Em is out of ideas and has nothing to rap about, this CD prooves america's shallow oppinion wrong with it's brilliant lyrics and dancable tunes. Expand
  3. BenS
    7
    Jesus, well, this is a slightly dissapointing recored really, considering it will be his last and the expectations. There are supreb moments 'mosh' is a battering, brilliant political polemic while 'like toy soldiers', is bold and majestic. 'mockingbird sounds slightly makwish but still quite affecting and 'encore' and 'just lose it' are pretty good fun but nothing is really classic save the 1st two i mentioned. 'Ass like that' is very clever and quite amusing but jesus is em really reduced to singing about people asses, crazy in love is reeeaaaly bad!!, a mixed bag Expand
  4. JohnD
    4
    He grabbed our attention by talking shit, then held our ear with the skills to back it up. 'The Marshall Mathers LP' was his best album, but he raised a lot of questions concerning his character with it. He proved that he was basically a good guy with 'The Eminem Show'. That one wasn't a bad album by any means, but it represented the end of Eminem's good ideas as far as producing goes, and the near end of Dr. Dre's good ideas concerning producing as well (save for a few good tracks on 'Get Rich' and 'The Documentary', he's been in a rut, to be brutally honest). So, where does 'Encore' fit in? Well, it doesn't; Eminem gave us peace of mind with 'Show', and also a satisfying 'ending' to his career. The only possible motivations behind 'Encore' and the more recent 'Curtain Call' are 1) For Eminem to prove that he's a good producer (and if that's the case, then he's failed), and 2) Money money money. True, Eminem has some great songs on this album--"Mosh" and "Like Toy Soldiers" being the two that everyone can totally agree on. But there's the problem of every song sounding either identical or juvenile: sweltering strings, predictable backbeat, strange catchphrase used from a previous song. Not even "Mosh" was immune to that, as it began with the same phrase that Eminem used on "Square Dance". "Mockingbird" has been the same song that Eminem has sung for years now, and even though it's still affecting, it's still a little boring. The guest spots don't do anyone any favors; Nate Dogg peaked before 'The Eminem Show' was released, and Obie Trice still sounds annoying. At this point, every silly song that Eminem does sounds simply stupid. It's been a long time since "My Name Is", when Eminem got by with a sweet beat and some hilariously awesome rhymes. There's nothing keeping him from doing it again, and doing it as many times as he pleases, so long as he has shown improvement. If anything, Eminem has gotten worse with age. If you want incredible present day production, check out 'Beauty and the Beat', 'Late Registration', 'Madvillainy', 'Grandmasters', and even the 'Get Rich Soundtrack'. If you want incredible rhymes that defy expectations, examine the work of 7 of the 9 members of Wu-Tang (nobody and their grandma gives U-God and Inspectah Deck the time of day), Dizzee Rascal, half of Jay-Z's catalogue, MF Doom's more inspired work, Ludacris (if you can handle hit-or-miss production), and Common. 50 Cent's best album, it should be noted, featured little help from Dre, and no help from Eminem. I'm referring to the 'Get Rich OST'. 50 Cent sounds like the guy who originally got the attention of smart rap critics. If 50 Cent can do it, then Eminem can, too. But first, Em has to set fire to his production equipment. Then, and only then, can he start down the road to redemption. Expand

See all 173 User Reviews