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On European, this third outing by the Swedish pop group, that sound has been firmly established. The evocation of Emerick’s bright and reverberant production and arrangements complements the group’s simple, if somewhat slight compositions.
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You expect there to be an abundance of vibrancy and passion on European, the band’s third release; though tempered by doubt and restraint, emotion lies beneath the layers of onion peel in the grey gutter of sadness.
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UncutIt's pleasantly winsome, sweetly aranged, but Anna Persson lacks the lugubrious voal presence of Traceyanne Campbell, and you long for sme of the sauce r spirit that inspires a group to name themselves in honour of a Serge Gainsbourg song. [Apr 2010, p.97]