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Everybody Loves a Happy Ending will do little to convert those who winced at Orzabal and Smith's obtuse lyrics and over the top production the first time around, but loyal followers, fans of XTC's Apple Venus, Pt. 1, and lovers of intricately arranged and artfully executed pop music will find themselves delightfully consumed by this enigmatic group's final (?) chapter.
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Tears for Fears skirts the has-been trap impressively, translating years of experience into play-it-again, sophisticated modern pop worth paying attention to.
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This is what they came back for?
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Rich in melody and mood, guitar and piano; it is more rock than pop.
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Everybody Loves a Happy Ending is a polychromatic, sweeping collection of gorgeous guitar-pop gems, a clever and harmonious amusement park filled with fun rides listeners will want to board over and over.
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To put into context, it’s a damn sight less disappointing than the new Duran Duran folly, and over time even many of the lesser tracks begin to sink in to the psyche.
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FilterIn the end, this record is frustrating. [#9, p.111]
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MojoHas lingering '80s elements, with some pompous lyrics, laborious arrangements and long, drawn-out vowel sounds, yet it is also fresher and less strenuous than before. [Apr 2004, p.114]
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Happy Ending acquits itself nicely by offering a compelling blend of gigantic hooks, sugary-sweet melodies, and textured production.
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Q MagazineIt's a salient reminder of the wafer-thin line between art and pretentious bollocks. [May 2004, p.108]
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All that's missing is the tunes - title track aside, the hummability factor is nil.
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UncutA guilty, gleeful indulgence. [May 2004, p.93]
Awards & Rankings
User score distribution:
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Positive: 58 out of 63
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Mixed: 0 out of 63
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Negative: 5 out of 63
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Apr 28, 2018
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Oct 12, 2015
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Mar 2, 2015