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Aug 21, 2012Swallow this album whole, letting the peaks and valleys of its cinematic reach melt into one another as it moves forward toward its soft sprung conclusion.
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Aug 7, 2012Exo would appeal to fans of the aforementioned Amon Tobin and, at times, Exo is also evocative of Plaid, or even Aphex Twin in the midst of his most acidy madness.
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Aug 7, 2012Gatekeeper's Aaron David Ross and Matthew Arkel crunch elements of '80s post-industrial dance, horror/sci-fi soundtracks and computer game music into an enjoyably garish whole.
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Aug 7, 2012The fundamental Gatekeeper template has been stretched and tweaked, putting one tentative foot forward into the future while the other remains firmly rooted in the past.
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Aug 7, 2012[A] thrilling and possibly definitive album, it's impenetrable, multifaceted, and irrepressibly imaginative.
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The WireAug 23, 2012Exo alternately provokes astonishment at its kitschiness and the sensual thrill of its dazzling inhumanism, but that's probably the whole point. [Aug 2012, p.58]
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Aug 27, 2012An album in which a majority of the heavy lifting is performed by the extra-textual aspects of the project, providing undeserved depth to a series of obsessive repetitions of the banal.
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Aug 27, 2012The digital readymades provoke an interesting set of concepts and questions, which is good, but results in an album in which a majority of the heavy lifting is performed by the extra-textual aspects of the project, providing undeserved depth to a series of obsessive repetitions of the banal.