Generally favorable reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
  1. Überzone's constant changeups in style and tempo breathe fresh life into a stale genre.
  2. 80
    An early study of California hip-hop, Überzone mixes twisted, bubbling Roland bass, big beats, and vocoder effects to make futuristic electro-anthems that manage to pop and lock like robots, but recall the organic '80s breaker heyday and never sound sterile and stiff.
  3. 70
    The compositions are sharp enough to cleanly burrow themselves into the subconscious; only to rise up at the most unexpected moments and potentially leave you wondering where you heard that funky little beat.
  4. It's the varying textures on Faith that prove Uberzone to be a true renegade of funk.
  5. Urb
    This well-engineered album's ideas have been gestating a little too long. You might just say it's the best album of 1998. [Sep 2001, p.152]
  6. Mixer
    It is good to see such experimentation by an artist in a field usually associated with being so genre-specific. [July 2001, p.82]
  7. The album awkwardly divides in two: the first half showcases Wiles' forward-looking tunes; the second takes a brief historical look at his dated earlier work.
User Score

No user score yet- Awaiting 3 more ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. shgyis56i69i
    Mar 17, 2005
    spot on !!!