I'm rather surprised at some of the harsh criticism that Jones has been getting. It seems like nobody is allowed to make real soulful music anymore, music that gives a simple, unpretentious joy without the overtoned implications of 'inspiration'. If the critics can't hear a brilliant album in 'Feels Like Home', they must atleast refrain from trashing it. 9;Feels Like Home' is kind of an extension to 'Come Away With Me'. It has the same feel and quality, a signature Jones. … Expand

There's no defining single like "I Don't Know Why," but overall this is actually a bit better than the first. So why only 4/10? Because it's still pop-lite. Norah has a nice voice, but there are times where this music is about as interesting as a phonebook. Some tracks are outright BORING, but overall it's harmless fluff, too safe like the elevator music Kenny G used to shill to millions. But, if you love Kenny G in the 90's and Seals & Croft in the 70's, whip out some white-bread, pour yourself a glass of skim milk, dim the lights and ENJOY!… Expand

Oh yes, a 10 from me. The purest voice on the planet. I have not purchased any CD's ever until I heard this voice. Keep those songs coming!

Cool, chilling but sometimes boring.

For anyone who listened to Come Away With Me and wanted something even more soulful or upbeat, this album is it. If the bpm keeps picking up with her albums she's gonna make a country funk album. The fifth track off of the album titled In The Morning has a sedate, upbeat, boogie rhythm with some smooth soul piano solos between the silky voicings. The way the band just melts in after she finishes off a verse is incredible. Case in point: Track 6 (Be Here To Love Me) is filled with light, sweet, air between every line. The guitar solo just simmers on through a couple licks before settling back down to its main purpose--being cool. The lyrics themselves are written for her voice. It's been this way with her for a while, actually, Norah Jones has this knack for picking the right words and nailing them to the vocals every single time. To me, it's impressive, and something that certain rock bands will never learn. Which reminds me of another thing--she's never angry or sappy. Never. Not once. In today's music market, I used to think that was a prerequisite for good music, but she proves me wrong on every track she sings. In some respects, this album is like the Southern Comfort edition of Bob Dylan's Love And Theft. It covers so many styles from straight jazz, to AOR, to soul, to country gospel, to new blues, if you like any of these styles you will be satisfied. It is a great followup to Come Away With Me and a wonderful companion to her pop blues collaboration with the Peter Malick Group New York City. I should add that the Guardian review is not indicative of the acutal music itself, and is unfairly biased. … Expand

Norah Jones sophomore effort is a continuation of its predecessor. A loose blend of jazz, folk and country, coupled with her clear, almost breathy vocals. Right from the beautiful surreal cover art, you know you?re in for a treat. ?Sunrise?, the lead off single, opens the cd to good effect. It?s a light, breezy song. ?Carnival town? is an excellent cabaret style number, one of 6 songs penned or co penned by Jones. ?In the morning? is another beauty, with some great bass playing. ?Humble me? is a beautiful song of contrition and forgiveness, almost Gospel like. ?Above ground?, The long way home? (with delightful guitar strumming), The prettiest thing? (very pretty song), and ?Don?t miss you at all? (a tender piano ballad which samples Duke Ellington to good effect), are other standouts from this stark, understated gem. This cd will do your collection no harm. … Expand

Ms. Jones has one of those angelic voices you can listen to all day. This album starts off well enough with the beautiful "Sunrise" using ever aspect of that voice but then goes nowhere from there. Her first album is a masterpiece but this one falls way short. We can only hope she quickly releases a third album along the lines of her first.

Ms. Jones has one of those angelic voices you can listen to all day. This album starts off well enough with the beautiful "Sunrise" using ever aspect of that voice but then goes nowhere from there. Her first album is a masterpiece but this one falls way short. We can only hope she quickly releases a third album along the lines of her first.

I'm sure I'm not the first nor the last to make this observation, but this album really falls flat compared to her previous one. Whereas "Come Away With Me" was full of emotive, catchy and brooding songs, "Feels Like Home" feels like background music par excellence: sultry vocals over bland beats and rather pedestrians songwriting. It's too bad, because this singer's got talent.… Expand

Norah is loaded with talent, but it needs to be spent covering other writer's material. Aside from the first cut, the others are totally forgetful, not to mention boring. I loved her debut but this effort is a huge disappointment.